The Swerve: How the Renaissance Began

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Random House, 1. sep. 2011 - 368 strani
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WINNER OF THE PULITZER PRIZE FOR NON-FICTION 2012

Almost six hundred years ago, a short, genial man took a very old manuscript off a library shelf. With excitement, he saw what he had discovered and ordered it copied. The book was a miraculously surviving copy of an ancient Roman philosophical epic, On the Nature of Things by Lucretius and it changed the course of history.

He found a beautiful poem of the most dangerous ideas – that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion. These ideas fuelled the Renaissance, inspiring Botticelli, shaping the thoughts of Montaigne, Darwin and Einstein.

An innovative work of history by one of the world’s most celebrated scholars and a thrilling story of discovery, The Swerve details how one manuscript, plucked from a thousand years of neglect, made possible the world as we know it.

Winner of the 2011 National Book Award for Nonfiction

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LibraryThing Review

Uporabnikova ocena  - Mitchell_Bergeson_Jr - LibraryThing

For me, this is a gem of a book. For some, Mr. Greenblatt overstates his thesis, and I think that's absolutely correct. But, even accepting that fact, it did not diminish the read for me. If anything ... Celotno mnenje

LibraryThing Review

Uporabnikova ocena  - Sandydog1 - LibraryThing

Here's another rambling biography about a fascinating time in history. Like Shorts' biography of Geologist Saint Nicolas Steno, or Cutler's treatment of Descarte's bones, Stephen Goldblatt is all over ... Celotno mnenje

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O avtorju (2011)

Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He is the author of twelve books, including The Swerve: How the World Became Modern, which won the National Book Award and a Pulitzer Prize, as well as the New York Times bestseller Will in the World: How Shakespeare Became Shakespeare and the classic university text Renaissance Self-Fashioning.

He is General Editor of The Norton Anthology of English Literature and of The Norton Shakespeare, and has edited seven collections of literary criticism.

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