The Swerve: How the Renaissance Began (Winner of the Pulitzer for Non-fiction 2012)

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Random House, 1. sep. 2011 - 368 strani
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Almost six hundred years ago, a short, genial man took a very old manuscript off a library shelf. With excitement, he saw what he had discovered and ordered it copied. The book was a miraculously surviving copy of an ancient Roman philosophical epic, On the Nature of Things by Lucretius and it changed the course of history.

He found a beautiful poem of the most dangerous ideas – that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion. These ideas fuelled the Renaissance, inspiring Botticelli, shaping the thoughts of Montaigne, Darwin and Einstein.

An innovative work of history by one of the world’s most celebrated scholars and a thrilling story of discovery, The Swerve details how one manuscript, plucked from a thousand years of neglect, made possible the world as we know it.

Winner of the 2011 National Book Award for Nonfiction

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LibraryThing Review

Uporabnikova ocena  - Karin7 - LibraryThing

This is both a history of the discovery of Lucretius' poem "The Nature of Things" a biography of Poggio Braccioline, the man who first found it hidden in a monastery in the early 15th century. It ... Celotno mnenje

LibraryThing Review

Uporabnikova ocena  - oparaxenos - LibraryThing

The premise behind the book was promising, but after a few chapters of colourful vignettes about life in the early Renaissance, the book turned into a philosophical treatise. The author's anti ... Celotno mnenje

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O avtorju (2011)

Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He is the author of twelve books, including The Swerve: How the World Became Modern, which won the National Book Award and a Pulitzer Prize, as well as the New York Times bestseller Will in the World: How Shakespeare Became Shakespeare and the classic university text Renaissance Self-Fashioning.

He is General Editor of The Norton Anthology of English Literature and of The Norton Shakespeare, and has edited seven collections of literary criticism.

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