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This volume, which is representative of Count Tolstoi's literary activity between 1852 and 1859, serves as an introduction to those which follow. Besides its own interest, much of it has the interest of disguised autobiography; Prince Nekhliudof, the "Russian Proprietor," suggests the youthful figure of Count Tolstoï himself in one of his early experiences; 'Recollections of a Scorer' and 'Two Hussars' are regarded as reminiscent of Count Tolstoï's gambling days. Both must have been suggested by some such terrible experience as that told of the Count's gambling-debt in the Caucasus. 'Lucerne' and'Albert,' two other stories of the volume, are also evidently transcripts from the author's own experience, but present Count Tolstoi in phases quite distinct from those in which he is familiar now. Albert,' in its peculiar realism and pathos, is one of Count Tolstoï's most exquisite sketches, and a striking example of his literary method.

This novel was pronounced by Turgenieff "the greatest work in Russian fiction." In it is presented, through the medium of one of the figures of the story, Olyénin, a phase in the evolution of Count Tolstoï's peculiar views, traceable through Pierre Bezúkhof in 'War and Peace,' and Levin, in the well-known novel, 'Anna Karénina.'

JANUARY Volume now ready, IVAN ILYITCH.

The contents of this volume have all come from Count Tolstoï's pen within the last four years. 'Ivan Ilyitch' is a sombre and terrible study of the insidious progress of fatal disease, as well as a study in religious philosophy. The Count Tolstoï's philosophy, one of the most fascinating and teenth century, were written as tracts for the people, and manifest Tolstoï's mastery of an art of narrative peculiar to

An INVESTIGATION into the CAUSES of the GREAT remaining tales, revealing concretely the whole system of

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