Creating the Big Easy: New Orleans and the Emergence of Modern Tourism, 1918-1945

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University of Georgia Press, 1. apr. 2011 - 344 strani

Between the World Wars, New Orleans transformed its image from that of a corrupt and sullied port of call into that of a national tourist destination. Anthony J. Stanonis tells how boosters and politicians reinvented the city to build a modern mass tourism industry and, along the way, fundamentally changed the city's cultural, economic, racial, and gender structure.

Stanonis looks at the importance of urban development, historic preservation, taxation strategies, and convention marketing to New Orleans' makeover and chronicles the city's efforts to domesticate its jazz scene, "democratize" Mardi Gras, and stereotype local blacks into docile, servile roles. He also looks at depictions of the city in literature and film and gauges the impact on New Orleans of white middle-class America's growing prosperity, mobility, leisure time, and tolerance of women in public spaces once considered off-limits.

Visitors go to New Orleans with expectations rooted in the city's "past": to revel with Mardi Gras maskers, soak up the romance of the French Quarter, and indulge in rich cuisine and hot music. Such a past has a basis in history, says Stanonis, but it has been carefully excised from its gritty context and scrubbed clean for mass consumption.

 

Vsebina

The City of Myths
1
New Orleans Businessmen and Modern Tourism
28
The Great Depression Taxation and Robert Maestri
70
Vice and Gender in New Orleans
104
The Reconstruction of the Vieux Carré
141
The Reinvention of New Orleans Mardi Gras
170
Race and Tourism
195
Boomtown
235
Notes
245
Bibliography
283
Index
303
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O avtorju (2011)

Anthony J. Stanonis is a lecturer in modern U.S. history at Queens University, Belfast. He is the author of Creating the Big Easy: New Orleans and the Emergence of Modern Tourism, 1918-1945, and editor of Dixie Emporium: Tourism, Foodways, and Consumer Culture in the American South (both Georgia).

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