Aesthetics in PerspectiveHarcourt Brace College Publishers, 1996 - 807 strani This anthology, appropriate for introductory aesthetics and philosophy of art courses, includes comprehensive coverage of traditional material as well as substantial inclusion of contemporary and non-Western readings. Readings from popular culture entice students into the study of aesthetics and motivate them to learn more. The organization of the text is also student-oriented, with chapters that pose such questions as What Is Art? and Should We Focus on Form? |
Iz vsebine knjige
Zadetki 1–3 od 79
Stran 266
... called a memorial is as elo- quent as not being called a monument : not being forgotten is the thin compensation for not having participated in an event everyone wants to remember . The list of names , as a collective cenotaph ...
... called a memorial is as elo- quent as not being called a monument : not being forgotten is the thin compensation for not having participated in an event everyone wants to remember . The list of names , as a collective cenotaph ...
Stran 369
... called a language , so its symbolic function is only loosely called meaning , because the factor of conventional reference is missing from it .... But meaning , in the usual sense recog- nized in semantics , includes the condition of ...
... called a language , so its symbolic function is only loosely called meaning , because the factor of conventional reference is missing from it .... But meaning , in the usual sense recog- nized in semantics , includes the condition of ...
Stran 507
... called neotradi- tional . Simply put , what is distinctive about this genre is that it is produced for the West . I ... called " Bali ” to Antonin Artaud , something called " Africa " to Pablo Picasso , and something called " Japan " to ...
... called neotradi- tional . Simply put , what is distinctive about this genre is that it is produced for the West . I ... called " Bali ” to Antonin Artaud , something called " Africa " to Pablo Picasso , and something called " Japan " to ...
Vsebina
PART I | 5 |
Plato The Form of Beauty | 11 |
Plato Beautys Influence | 18 |
Avtorske pravice | |
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activity aesthetic experience African American Anne Truitt appear appreciation Art Criticism artist artworks audience authentic authentic performance beauty become called character Chicano Chicano art color concept consider contemporary context culture dance Donald Keene effect emotion ence essay example excerpt expression fact feel film genius George Dickie haiku human idea images imagination Japanese Journal of Aesthetics judgment Kaluli kind kitsch lives look meaning ment Mexica mind mono no aware moral museum nature Navajo object painting performance person philosophy piece Pillow Book Plato play poem poet poetry postmodern present produced question racial rasa reality reason representation Reprinted by permission rock music sandpainting Sanskrit sculpture Sei Shōnagon sense Shōnagon social Socrates songs suggests symbolic taste theory thetic things Three Stooges tion traditional Trans ture Ukiyo-e understanding University visual women words York