Aesthetics in PerspectiveHarcourt Brace College Publishers, 1996 - 807 strani This anthology, appropriate for introductory aesthetics and philosophy of art courses, includes comprehensive coverage of traditional material as well as substantial inclusion of contemporary and non-Western readings. Readings from popular culture entice students into the study of aesthetics and motivate them to learn more. The organization of the text is also student-oriented, with chapters that pose such questions as What Is Art? and Should We Focus on Form? |
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Zadetki 1–3 od 83
Stran 409
... claim that authors ' intentions are private mental conditions to which the reader has no access . The claim of the author's " intention " upon the critic's judgment has been challenged in a number of recent discussions , notably in the ...
... claim that authors ' intentions are private mental conditions to which the reader has no access . The claim of the author's " intention " upon the critic's judgment has been challenged in a number of recent discussions , notably in the ...
Stran 562
... claim is the ownership claim : that the blues as genre and style belongs to the African American community . How is this claim warranted ? Part of the warrant is the factual claim that the originators and major innovative elaborators of ...
... claim is the ownership claim : that the blues as genre and style belongs to the African American community . How is this claim warranted ? Part of the warrant is the factual claim that the originators and major innovative elaborators of ...
Stran 577
... claim that philosophical argument or scientific dis- course has become the paradigmatic form in the West , ( that is ... claims of this paper : that the Japanese do have a strong tradition of indi- vidual Selfhood , that Selfhood and the ...
... claim that philosophical argument or scientific dis- course has become the paradigmatic form in the West , ( that is ... claims of this paper : that the Japanese do have a strong tradition of indi- vidual Selfhood , that Selfhood and the ...
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PART I | 5 |
Plato The Form of Beauty | 11 |
Plato Beautys Influence | 18 |
Avtorske pravice | |
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activity aesthetic experience African American Anne Truitt appear appreciation Art Criticism artist artworks audience authentic authentic performance beauty become called character Chicano Chicano art color concept consider contemporary context culture dance Donald Keene effect emotion ence essay example excerpt expression fact feel film genius George Dickie haiku human idea images imagination Japanese Journal of Aesthetics judgment Kaluli kind kitsch lives look meaning ment Mexica mind mono no aware moral museum nature Navajo object painting performance person philosophy piece Pillow Book Plato play poem poet poetry postmodern present produced question racial rasa reality reason representation Reprinted by permission rock music sandpainting Sanskrit sculpture Sei Shōnagon sense Shōnagon social Socrates songs suggests symbolic taste theory thetic things Three Stooges tion traditional Trans ture Ukiyo-e understanding University visual women words York