Aesthetics in PerspectiveHarcourt Brace College Publishers, 1996 - 807 strani This anthology, appropriate for introductory aesthetics and philosophy of art courses, includes comprehensive coverage of traditional material as well as substantial inclusion of contemporary and non-Western readings. Readings from popular culture entice students into the study of aesthetics and motivate them to learn more. The organization of the text is also student-oriented, with chapters that pose such questions as What Is Art? and Should We Focus on Form? |
Iz vsebine knjige
Zadetki 1–3 od 84
Stran 133
... Critics refused to recognize what he took to be his genius , and he decided to get even . His plan was to forge a Vermeer , and after the painting had been discovered and lauded by critics , he would reveal to the world that Han van ...
... Critics refused to recognize what he took to be his genius , and he decided to get even . His plan was to forge a Vermeer , and after the painting had been discovered and lauded by critics , he would reveal to the world that Han van ...
Stran 178
... critics approach works of art in " overtly moralistic terms , " it is a " philosophical com- monplace ... that the ethical and the aes- thetic modes ... form different categories . " I suspect that many philosophers would sim- ply say ...
... critics approach works of art in " overtly moralistic terms , " it is a " philosophical com- monplace ... that the ethical and the aes- thetic modes ... form different categories . " I suspect that many philosophers would sim- ply say ...
Stran 521
... critics , also treats women as property and playthings for men . Critics such as John Berger have pointed to such conventions in painting as the vul- nerable female nude gazing provocatively at the ( male ) owner of the painting and to ...
... critics , also treats women as property and playthings for men . Critics such as John Berger have pointed to such conventions in painting as the vul- nerable female nude gazing provocatively at the ( male ) owner of the painting and to ...
Vsebina
PART I | 5 |
Plato The Form of Beauty | 11 |
Plato Beautys Influence | 18 |
Avtorske pravice | |
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activity aesthetic experience African American Anne Truitt appear appreciation Art Criticism artist artworks audience authentic authentic performance beauty become called character Chicano Chicano art color concept consider contemporary context culture dance Donald Keene effect emotion ence essay example excerpt expression fact feel film genius George Dickie haiku human idea images imagination Japanese Journal of Aesthetics judgment Kaluli kind kitsch lives look meaning ment Mexica mind mono no aware moral museum nature Navajo object painting performance person philosophy piece Pillow Book Plato play poem poet poetry postmodern present produced question racial rasa reality reason representation Reprinted by permission rock music sandpainting Sanskrit sculpture Sei Shōnagon sense Shōnagon social Socrates songs suggests symbolic taste theory thetic things Three Stooges tion traditional Trans ture Ukiyo-e understanding University visual women words York