Aesthetics in PerspectiveHarcourt Brace College Publishers, 1996 - 807 strani This anthology, appropriate for introductory aesthetics and philosophy of art courses, includes comprehensive coverage of traditional material as well as substantial inclusion of contemporary and non-Western readings. Readings from popular culture entice students into the study of aesthetics and motivate them to learn more. The organization of the text is also student-oriented, with chapters that pose such questions as What Is Art? and Should We Focus on Form? |
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Zadetki 1–3 od 53
Stran 9
... describes four features of the experience of beauty that are required in a purely aesthetic experience , or " judgment , " of the beautiful . First , one must enjoy the object of the experience " disinterestedly , " with- out attending ...
... describes four features of the experience of beauty that are required in a purely aesthetic experience , or " judgment , " of the beautiful . First , one must enjoy the object of the experience " disinterestedly , " with- out attending ...
Stran 378
... describes ? And I do not see any evidence that it holds true in all cases . 3. If it is true that not all great art was created in the way the theory de- scribes , it is , I think , even more plainly true that not everything created in ...
... describes ? And I do not see any evidence that it holds true in all cases . 3. If it is true that not all great art was created in the way the theory de- scribes , it is , I think , even more plainly true that not everything created in ...
Stran 650
... describes the relevance of the yin - yang dis- tinction , which is basic to Chinese philosophy , for an understanding of Chinese aesthetics . This duality indicates a more dominant ( yang ) and a less dominant ( yin ) member of any ...
... describes the relevance of the yin - yang dis- tinction , which is basic to Chinese philosophy , for an understanding of Chinese aesthetics . This duality indicates a more dominant ( yang ) and a less dominant ( yin ) member of any ...
Vsebina
PART I | 5 |
Plato The Form of Beauty | 11 |
Plato Beautys Influence | 18 |
Avtorske pravice | |
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activity aesthetic experience African American Anne Truitt appear appreciation Art Criticism artist artworks audience authentic authentic performance beauty become called character Chicano Chicano art color concept consider contemporary context culture dance Donald Keene effect emotion ence essay example excerpt expression fact feel film genius George Dickie haiku human idea images imagination Japanese Journal of Aesthetics judgment Kaluli kind kitsch lives look meaning ment Mexica mind mono no aware moral museum nature Navajo object painting performance person philosophy piece Pillow Book Plato play poem poet poetry postmodern present produced question racial rasa reality reason representation Reprinted by permission rock music sandpainting Sanskrit sculpture Sei Shōnagon sense Shōnagon social Socrates songs suggests symbolic taste theory thetic things Three Stooges tion traditional Trans ture Ukiyo-e understanding University visual women words York