Aesthetics in PerspectiveHarcourt Brace College Publishers, 1996 - 807 strani This anthology, appropriate for introductory aesthetics and philosophy of art courses, includes comprehensive coverage of traditional material as well as substantial inclusion of contemporary and non-Western readings. Readings from popular culture entice students into the study of aesthetics and motivate them to learn more. The organization of the text is also student-oriented, with chapters that pose such questions as What Is Art? and Should We Focus on Form? |
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Zadetki 1–3 od 76
Stran 303
... images regulate perspectives in which , individually or collectively , we come to view and interpret experience ? What is the role of language in shaping mental images , those we entertain in dreams and those we navigate by when awake ...
... images regulate perspectives in which , individually or collectively , we come to view and interpret experience ? What is the role of language in shaping mental images , those we entertain in dreams and those we navigate by when awake ...
Stran 305
... images apart from ordinary nominal ones . The counterordinary , sometimes counter- sensically mental images are the ones we value in works of art , pictures or poems . We may call such ludic images " representations of reality , " but ...
... images apart from ordinary nominal ones . The counterordinary , sometimes counter- sensically mental images are the ones we value in works of art , pictures or poems . We may call such ludic images " representations of reality , " but ...
Stran 309
... images obtain consensual value . Centuries may pass before they are encoded as appropriate symbols - like Solomon's nut - palace ( klifah / hekal ) in the Zohar.4 By way of conclusion , let me develop somewhat a critique of image ...
... images obtain consensual value . Centuries may pass before they are encoded as appropriate symbols - like Solomon's nut - palace ( klifah / hekal ) in the Zohar.4 By way of conclusion , let me develop somewhat a critique of image ...
Vsebina
PART I | 5 |
Plato The Form of Beauty | 11 |
Plato Beautys Influence | 18 |
Avtorske pravice | |
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activity aesthetic experience African American Anne Truitt appear appreciation Art Criticism artist artworks audience authentic authentic performance beauty become called character Chicano Chicano art color concept consider contemporary context culture dance Donald Keene effect emotion ence essay example excerpt expression fact feel film genius George Dickie haiku human idea images imagination Japanese Journal of Aesthetics judgment Kaluli kind kitsch lives look meaning ment Mexica mind mono no aware moral museum nature Navajo object painting performance person philosophy piece Pillow Book Plato play poem poet poetry postmodern present produced question racial rasa reality reason representation Reprinted by permission rock music sandpainting Sanskrit sculpture Sei Shōnagon sense Shōnagon social Socrates songs suggests symbolic taste theory thetic things Three Stooges tion traditional Trans ture Ukiyo-e understanding University visual women words York