Aesthetics in PerspectiveHarcourt Brace College Publishers, 1996 - 807 strani This anthology, appropriate for introductory aesthetics and philosophy of art courses, includes comprehensive coverage of traditional material as well as substantial inclusion of contemporary and non-Western readings. Readings from popular culture entice students into the study of aesthetics and motivate them to learn more. The organization of the text is also student-oriented, with chapters that pose such questions as What Is Art? and Should We Focus on Form? |
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Zadetki 1–3 od 82
Stran 38
... less perfect , as it is more or less fit- ted to attain this end . The object of elo- quence is to persuade , of history to instruct , of poetry to please by means of the passions and the imagination . These ends we must carry ...
... less perfect , as it is more or less fit- ted to attain this end . The object of elo- quence is to persuade , of history to instruct , of poetry to please by means of the passions and the imagination . These ends we must carry ...
Stran 392
... less obvious . Much happy music is trite and boring . That a musical work expresses happiness is not , just like that , a good reason for wanting to listen to it , and if a person is addicted to such music their commitment might be no less ...
... less obvious . Much happy music is trite and boring . That a musical work expresses happiness is not , just like that , a good reason for wanting to listen to it , and if a person is addicted to such music their commitment might be no less ...
Stran 393
... less con- sistent with the one response than the other . We pursue artworks that are liable to give rise to negative emotional responses no less avidly than those likely to produce positive emotional responses because what moti- vates ...
... less con- sistent with the one response than the other . We pursue artworks that are liable to give rise to negative emotional responses no less avidly than those likely to produce positive emotional responses because what moti- vates ...
Vsebina
PART I | 5 |
Plato The Form of Beauty | 11 |
Plato Beautys Influence | 18 |
Avtorske pravice | |
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activity aesthetic experience African American Anne Truitt appear appreciation Art Criticism artist artworks audience authentic authentic performance beauty become called character Chicano Chicano art color concept consider contemporary context culture dance Donald Keene effect emotion ence essay example excerpt expression fact feel film genius George Dickie haiku human idea images imagination Japanese Journal of Aesthetics judgment Kaluli kind kitsch lives look meaning ment Mexica mind mono no aware moral museum nature Navajo object painting performance person philosophy piece Pillow Book Plato play poem poet poetry postmodern present produced question racial rasa reality reason representation Reprinted by permission rock music sandpainting Sanskrit sculpture Sei Shōnagon sense Shōnagon social Socrates songs suggests symbolic taste theory thetic things Three Stooges tion traditional Trans ture Ukiyo-e understanding University visual women words York