Aesthetics in PerspectiveHarcourt Brace College Publishers, 1996 - 807 strani This anthology, appropriate for introductory aesthetics and philosophy of art courses, includes comprehensive coverage of traditional material as well as substantial inclusion of contemporary and non-Western readings. Readings from popular culture entice students into the study of aesthetics and motivate them to learn more. The organization of the text is also student-oriented, with chapters that pose such questions as What Is Art? and Should We Focus on Form? |
Iz vsebine knjige
Zadetki 1–3 od 79
Stran 240
... ment arts policy : " We will win world under- standing of our policy and purposes not through the force of our arms or the array of our wealth but through the splendor of our ideals . " Such efforts both led to and were enor- mously ...
... ment arts policy : " We will win world under- standing of our policy and purposes not through the force of our arms or the array of our wealth but through the splendor of our ideals . " Such efforts both led to and were enor- mously ...
Stran 254
... ment from contrast . According to this argu- ment , we are only able to apprehend the virtues of the best art because we can con- trast it with poor art . Perhaps if the only art- works were great masterpieces , we would grow ...
... ment from contrast . According to this argu- ment , we are only able to apprehend the virtues of the best art because we can con- trast it with poor art . Perhaps if the only art- works were great masterpieces , we would grow ...
Stran 469
... ment does not actually have to happen . Just as a dancer can dance to music in his head , the seemingly passive listener always reacts mentally to the rhythmic pattern which his senses are registering , even if he is not con- sciously ...
... ment does not actually have to happen . Just as a dancer can dance to music in his head , the seemingly passive listener always reacts mentally to the rhythmic pattern which his senses are registering , even if he is not con- sciously ...
Vsebina
PART I | 5 |
Plato The Form of Beauty | 11 |
Plato Beautys Influence | 18 |
Avtorske pravice | |
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activity aesthetic experience African American Anne Truitt appear appreciation Art Criticism artist artworks audience authentic authentic performance beauty become called character Chicano Chicano art color concept consider contemporary context culture dance Donald Keene effect emotion ence essay example excerpt expression fact feel film genius George Dickie haiku human idea images imagination Japanese Journal of Aesthetics judgment Kaluli kind kitsch lives look meaning ment Mexica mind mono no aware moral museum nature Navajo object painting performance person philosophy piece Pillow Book Plato play poem poet poetry postmodern present produced question racial rasa reality reason representation Reprinted by permission rock music sandpainting Sanskrit sculpture Sei Shōnagon sense Shōnagon social Socrates songs suggests symbolic taste theory thetic things Three Stooges tion traditional Trans ture Ukiyo-e understanding University visual women words York