A Journal of Summer Time in the CountryJohn W. Parker, 1849 - 235 strani |
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Zadetki 1–5 od 40
Stran 10
... the birds from the furrows . The good seed of the mind is to be guarded from vain thoughts descending with fiercer hunger . Nor will our best instruction be drawn from books . If he who wishes to be pathetic and eloquent is 10 JOURNAL OF.
... the birds from the furrows . The good seed of the mind is to be guarded from vain thoughts descending with fiercer hunger . Nor will our best instruction be drawn from books . If he who wishes to be pathetic and eloquent is 10 JOURNAL OF.
Stran 14
... with Hope carolling above it , and disappearing when Reflection draws near , and looks at it with calm and earnest eye . And , while I moralize , the sun is sinking fast , - the slanting ray , From ev'ry herb and every 14 JOURNAL OF.
... with Hope carolling above it , and disappearing when Reflection draws near , and looks at it with calm and earnest eye . And , while I moralize , the sun is sinking fast , - the slanting ray , From ev'ry herb and every 14 JOURNAL OF.
Stran 24
... of the Italian manner in her divisions . " The English bird is supposed to want the continual warble , " the linked sweetness long drawn out , " of her southern rival ; and the Persian note is affirmed to be 24 JOURNAL OF.
... of the Italian manner in her divisions . " The English bird is supposed to want the continual warble , " the linked sweetness long drawn out , " of her southern rival ; and the Persian note is affirmed to be 24 JOURNAL OF.
Stran 36
... drawing , and dignity of expression , he stands alone . No starveling forms of Albert Durer , to adopt a phrase of Fuseli - no swampy excrescences of Rembrandt , shuffle along in squalid deformity . Waller suggested the secret charm of ...
... drawing , and dignity of expression , he stands alone . No starveling forms of Albert Durer , to adopt a phrase of Fuseli - no swampy excrescences of Rembrandt , shuffle along in squalid deformity . Waller suggested the secret charm of ...
Stran 37
... the painter and his subject draw near and go by each other on an element so smooth , in scenery so tranquil , as Venice afforded to its greatest painter . Gliding along the waveless canals in the SUMMER TIME IN THE COUNTRY . 37.
... the painter and his subject draw near and go by each other on an element so smooth , in scenery so tranquil , as Venice afforded to its greatest painter . Gliding along the waveless canals in the SUMMER TIME IN THE COUNTRY . 37.
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Pogosti izrazi in povedi
AARON HILL admirable Æneid beauty Ben Jonson beneath bird Bishop bough bright charm colour Cowley Cowper dark delight Demosthenes Dryden English exquisite fancy favourite feeling flowers fountain garden genius Giorgione gleam glow glow-worm grace grass Gray Greek green Ham House hand happy heart hedge hills Iliad Johnson JULY landscape leaf leaves light look Lord Lord Bacon Lucretius Mac Flecknoe memory Milton mind nature never nightingale numbers o'er Octavo Ovid painted painter pencil Père la Chaise Petrarch picture picturesque pleasing poem poet poetical poetry Pope purple racters recollect remark Rembrandt rose round Rubens rural Salvator Rosa says scene shade shadow Shakspere shines sketches Slight circumstances soft Spenser stream summer sweet taste things Thomson thought Tibullus tion Titian trees truth twilight verse village Virgil walk Waller Walpole Warburton watch wind wing wood write
Priljubljeni odlomki
Stran 153 - A countenance in which did meet Sweet records, promises as sweet; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
Stran 28 - Sweet is the breath of morn, her rising sweet With charm of earliest birds; pleasant the sun When first on this delightful land he spreads His orient beams on herb, tree, fruit, and flower Glistering with dew, fragrant the fertile earth After soft showers ; and sweet the coming on Of grateful evening mild ; then silent night With this her solemn bird and this fair moon, And these the gems of heaven, her starry train...
Stran 94 - Who sees with equal eye, as God of all, A hero perish, or a sparrow fall, Atoms or systems into ruin hurl'd, And now a bubble burst, and now a world.
Stran 27 - To hear the lark begin his flight And singing startle the dull night From his watch-tower in the skies, Till the dappled dawn doth rise...
Stran 44 - Over thy decent shoulders drawn. Come, but keep thy wonted state, With even step and musing gait And looks commercing with the skies, Thy rapt soul sitting in thine eyes...
Stran 209 - Wept o'er his wounds, or tales of sorrow done, Shoulder'd his crutch, and show'd how fields were won. Pleased with his guests, the good man learn'd to glow, And quite forgot their vices in their woe ; Careless their merits or their faults to scan, His pity gave ere charity began.
Stran 197 - Th' unfeeling for his own. Yet, ah! why should they know their fate, Since sorrow never comes too late, And happiness too swiftly flies ? Thought would destroy their paradise! No more; — where ignorance is bliss, 'Tis folly to be wise.
Stran 192 - The blackbird amid leafy trees, The lark above the hill, Let loose their carols when they please, Are quiet when they will. With Nature never do they wage A foolish strife ; they see A happy youth, and their old age Is beautiful and free.
Stran 175 - Flowers of all hue, and without thorn the rose : Another side, umbrageous grots and caves Of cool recess, o'er which the mantling vine Lays forth her purple grape, and gently creeps Luxuriant; meanwhile murmuring waters fall Down the slope hills, dispersed, or in a lake, That to the fringed bank with myrtle crown'd Her crystal mirror holds, unite their streams.
Stran 21 - My gentle-hearted Charles ! when the last rook Beat its straight path along the dusky air Homewards, I blest it...