Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 18
Stran 86
... apple from all sides . If neces- sary , we can take the apple , hold it against the light and turn it around . When we look at a depicted apple , we do not ( except under the con- ditions described above ) see a collection of patches of ...
... apple from all sides . If neces- sary , we can take the apple , hold it against the light and turn it around . When we look at a depicted apple , we do not ( except under the con- ditions described above ) see a collection of patches of ...
Stran 92
... apple " in the paradox refers to a configuration of lines and colors that is seen , and is intended to be seen , as an apple . But instead of invoking dubious fictitious entities , some people may be tempted - inspired by Wittgenstein ...
... apple " in the paradox refers to a configuration of lines and colors that is seen , and is intended to be seen , as an apple . But instead of invoking dubious fictitious entities , some people may be tempted - inspired by Wittgenstein ...
Stran 93
... apples and which are intended to be seen in that way . But this will not do . For what is a picture - apple ? If a picture - apple is an apple in a picture , and an apple in a picture is a picture - apple , this answer will not explain ...
... apples and which are intended to be seen in that way . But this will not do . For what is a picture - apple ? If a picture - apple is an apple in a picture , and an apple in a picture is a picture - apple , this answer will not explain ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim