Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 88
Stran 37
... clear statement asserting that there are direct causal relationships between social and artistic changes can be found in the following programmatic remark , which Hauser makes in discussing the classicism of the Cinquecento : If social ...
... clear statement asserting that there are direct causal relationships between social and artistic changes can be found in the following programmatic remark , which Hauser makes in discussing the classicism of the Cinquecento : If social ...
Stran 133
... Clearly , seeing , presupposes some seeingpe , but I shall have to leave a further analysis of the relations between these dif- ferent kinds of seeing for another occasion . Moreover , as I have tried to make clear in sections 3.4 and ...
... Clearly , seeing , presupposes some seeingpe , but I shall have to leave a further analysis of the relations between these dif- ferent kinds of seeing for another occasion . Moreover , as I have tried to make clear in sections 3.4 and ...
Stran 171
... clear conceptual distinction between aesthetic experiences and other sorts of experiences ; ( ii ) one can grant that there is such a conceptual distinction but still argue that aesthetic experiences in actual life are so intertwined ...
... clear conceptual distinction between aesthetic experiences and other sorts of experiences ; ( ii ) one can grant that there is such a conceptual distinction but still argue that aesthetic experiences in actual life are so intertwined ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim