Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 61
Stran 63
... clearly related to skill and craftmanship ( “ können ” ) , others to theoretical or systematic knowledge ( " kennen " ) . The application of the word is by no means limited to what we call the fine arts . For example , téɣvη may mean ...
... clearly related to skill and craftmanship ( “ können ” ) , others to theoretical or systematic knowledge ( " kennen " ) . The application of the word is by no means limited to what we call the fine arts . For example , téɣvη may mean ...
Stran 88
... clearly a close connection between the principles of identity and localization . If ( i ) is true , then X and Y are ... clearly in one way or other caused by the apricot on the table . The apple A supposedly sees is located on the ...
... clearly a close connection between the principles of identity and localization . If ( i ) is true , then X and Y are ... clearly in one way or other caused by the apricot on the table . The apple A supposedly sees is located on the ...
Stran 161
... clearly a story from London , and in chapter VIII the author describes how Oliver walks to London . But why should one not be allowed to say that Dickens is referring to London , when he uses the word " London " in that chapter ? It is ...
... clearly a story from London , and in chapter VIII the author describes how Oliver walks to London . But why should one not be allowed to say that Dickens is referring to London , when he uses the word " London " in that chapter ? It is ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim