Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 30
Stran 15
... criteria of evaluation . Some such criteria will be discussed in chapter 2. The main bulk of that chapter will , however , be devoted to a discussion of the relations between . aesthetic and artistic value . If these concepts are ...
... criteria of evaluation . Some such criteria will be discussed in chapter 2. The main bulk of that chapter will , however , be devoted to a discussion of the relations between . aesthetic and artistic value . If these concepts are ...
Stran 214
... criteria of valuation and evaluation used in praising ( blaming ) artists and their works , and to clarify the ontological , epistemological and axiological foundations of such criteria . Again , this is not something that distinguishes ...
... criteria of valuation and evaluation used in praising ( blaming ) artists and their works , and to clarify the ontological , epistemological and axiological foundations of such criteria . Again , this is not something that distinguishes ...
Stran 215
... criteria . But the decision to accept or adopt such criteria is again ultimately normative . Furthermore , this ultimately normative decision may - if I may allude again to the preliminary classification in section 5.5 above - reflect ...
... criteria . But the decision to accept or adopt such criteria is again ultimately normative . Furthermore , this ultimately normative decision may - if I may allude again to the preliminary classification in section 5.5 above - reflect ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim