Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 90
Stran 111
... distinction between pictorial and symbolic representation . Clearly , if pictorial representation is defined in terms of similarity ( or resemblance ) , and if symbolic represen- tation is defined in terms of codes and conventions , the ...
... distinction between pictorial and symbolic representation . Clearly , if pictorial representation is defined in terms of similarity ( or resemblance ) , and if symbolic represen- tation is defined in terms of codes and conventions , the ...
Stran 256
... distinction of the kind proposed in ( A 13 ) . For example , by re - interpreting the famous tower experiment , Galilei in one and the same move solved both a philosophical and a physical problem . Newton's physics is imbedded in a ...
... distinction of the kind proposed in ( A 13 ) . For example , by re - interpreting the famous tower experiment , Galilei in one and the same move solved both a philosophical and a physical problem . Newton's physics is imbedded in a ...
Stran 279
... distinction between purely sensory and cognitive perception outlined in the previous paragraph . Let us then for the sake of argument reject this distinction . Instead I propose to distinguish between cognitive - sensory and cognitive ...
... distinction between purely sensory and cognitive perception outlined in the previous paragraph . Let us then for the sake of argument reject this distinction . Instead I propose to distinguish between cognitive - sensory and cognitive ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim