Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 55
Stran 27
... drawing above . The latter drawing is not based on an isometric perspective . Instead it is here essential that some lines are ambiguous and can be seen as parts of several different objects or areas . Thus there are several types of ...
... drawing above . The latter drawing is not based on an isometric perspective . Instead it is here essential that some lines are ambiguous and can be seen as parts of several different objects or areas . Thus there are several types of ...
Stran 101
... drawing of other faces in a crowd , it appears unambiguous . But if the drawing is turned upside down , we would probably have no difficulty in seeing it as a house . What was previously seen as the neck , is now seen as a chimney , on ...
... drawing of other faces in a crowd , it appears unambiguous . But if the drawing is turned upside down , we would probably have no difficulty in seeing it as a house . What was previously seen as the neck , is now seen as a chimney , on ...
Stran 102
... drawing , and the drawing does not have the properties of a human being . So where is the much discussed similarity between the picture and what it is a picture of ? It is , I think , interesting and instructive to speculate on what is ...
... drawing , and the drawing does not have the properties of a human being . So where is the much discussed similarity between the picture and what it is a picture of ? It is , I think , interesting and instructive to speculate on what is ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim