Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 43
Stran 112
... given the limitations of the medium , we can imagine that a genuine apple would look to us roughly like the apple on the picture . But there are no light conditions and observation angles such that we can imagine that genuine . chastity ...
... given the limitations of the medium , we can imagine that a genuine apple would look to us roughly like the apple on the picture . But there are no light conditions and observation angles such that we can imagine that genuine . chastity ...
Stran 130
... given at least a crude answer to the question : what kind of spot is it ? Thus what is given in my visual field has been classified as falling under the concept of red . If " c " stands for classification , this might then be sym ...
... given at least a crude answer to the question : what kind of spot is it ? Thus what is given in my visual field has been classified as falling under the concept of red . If " c " stands for classification , this might then be sym ...
Stran 249
... given historical material and another to discuss historical problems raised by a given material . Moreover , what I have suggested above holds whether the emphasis in philosophy is on description , analysis , reconstruction or ...
... given historical material and another to discuss historical problems raised by a given material . Moreover , what I have suggested above holds whether the emphasis in philosophy is on description , analysis , reconstruction or ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim