Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 31
Stran 67
... human life - about human ideals , human motivation and human actions and about the problems human beings ( in various situations ) have to face ; ( c ) statements about the world and the cosmos - what the world is like , what it may be ...
... human life - about human ideals , human motivation and human actions and about the problems human beings ( in various situations ) have to face ; ( c ) statements about the world and the cosmos - what the world is like , what it may be ...
Stran 133
... human face , I see , e a colored canvas , but I do not see , e a human face . I see , e certain lines and colors , and I see them as a human face . Because we are familiar with certain traditions of repre- sentation and / or have a ...
... human face , I see , e a colored canvas , but I do not see , e a human face . I see , e certain lines and colors , and I see them as a human face . Because we are familiar with certain traditions of repre- sentation and / or have a ...
Stran 176
... human life in a much broader way . Personally I think that the basic premises in that discussion should be of a moral nature and concern the nature of a good human life , —and in that perspective it seems futile to argue that art is ...
... human life in a much broader way . Personally I think that the basic premises in that discussion should be of a moral nature and concern the nature of a good human life , —and in that perspective it seems futile to argue that art is ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim