Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 36
Stran 191
... literature to literature in general , or that he would want to apply what he writes about literature to aesthetics . Perhaps what he does is only to explicate criteria of what in his opinion is good literature . But Zhdanov and ...
... literature to literature in general , or that he would want to apply what he writes about literature to aesthetics . Perhaps what he does is only to explicate criteria of what in his opinion is good literature . But Zhdanov and ...
Stran 234
... literature or , for that matter , the history of literature . Analogously , the concept of aesthetics has changed in the course of 14 1977 . Raymond Williams , Marxism and Literature , Oxford : Oxford University Press , history from ...
... literature or , for that matter , the history of literature . Analogously , the concept of aesthetics has changed in the course of 14 1977 . Raymond Williams , Marxism and Literature , Oxford : Oxford University Press , history from ...
Stran 251
... literature , not in the history or criticism of literature - though he no doubt meant that his results were relevant to criticism as well as to historical studies . He analyzed the struc- ture of literary works and aesthetic objects ...
... literature , not in the history or criticism of literature - though he no doubt meant that his results were relevant to criticism as well as to historical studies . He analyzed the struc- ture of literary works and aesthetic objects ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim