Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 80
Stran 27
... objects or areas . Thus there are several types of drawings of impossible objects , and I cannot explore here the differences between them . It suffices to point out that in another sense they do not represent impossible objects . A ...
... objects or areas . Thus there are several types of drawings of impossible objects , and I cannot explore here the differences between them . It suffices to point out that in another sense they do not represent impossible objects . A ...
Stran 119
... objects and events represent their con- ceptions of these objects and events , i.e. features that to them distinguish what they depict from other objects and events . At this point , however , an interesting methodological problem ...
... objects and events represent their con- ceptions of these objects and events , i.e. features that to them distinguish what they depict from other objects and events . At this point , however , an interesting methodological problem ...
Stran 229
... objects can decay and disintegrate slowly . Nevertheless , it is , of course , highly controversial to identify works of art and physical objects . Suppose that X and Y are two indistinguishable physical objects - X is a perfect replica ...
... objects can decay and disintegrate slowly . Nevertheless , it is , of course , highly controversial to identify works of art and physical objects . Suppose that X and Y are two indistinguishable physical objects - X is a perfect replica ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim