Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 74
Stran 33
... obvious , " see " is used rather than “ interpret " ; and when e.g. extensive information about the background is required , “ interpret " is normally preferred to " see " . Thus , suppose we contemplate a painting obviously made ...
... obvious , " see " is used rather than “ interpret " ; and when e.g. extensive information about the background is required , “ interpret " is normally preferred to " see " . Thus , suppose we contemplate a painting obviously made ...
Stran 226
... obviously false . Today there are more professional aestheticians than ever . More books and articles on aesthetics are published now than at any other time in history . The number of professional journals dealing with aesthetic ...
... obviously false . Today there are more professional aestheticians than ever . More books and articles on aesthetics are published now than at any other time in history . The number of professional journals dealing with aesthetic ...
Stran 234
... obviously not to say that the investigation is historical ; historical material can be analyzed by other methods than those used by historians . Given certain definitions of " representation ” , it is clear that works of art have not ...
... obviously not to say that the investigation is historical ; historical material can be analyzed by other methods than those used by historians . Given certain definitions of " representation ” , it is clear that works of art have not ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim