Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 85
Stran 36
... painting around 1350 , and raises the following problem : “ How are we to understand these profound changes in Tuscan painting around the middle of the fourteenth century ? " 12 The approach used by Meiss to answer this question is to ...
... painting around 1350 , and raises the following problem : “ How are we to understand these profound changes in Tuscan painting around the middle of the fourteenth century ? " 12 The approach used by Meiss to answer this question is to ...
Stran 105
... painted in oil directly on the walls of his lonely house outside Madrid , la Quinta del sordo , and now in the Prado . The painting represents two gigantic persons flying in the sky . Below them is a landscape with moun- tains ...
... painted in oil directly on the walls of his lonely house outside Madrid , la Quinta del sordo , and now in the Prado . The painting represents two gigantic persons flying in the sky . Below them is a landscape with moun- tains ...
Stran 132
... painting is a perfect trompe - l'oeil , A , B , C , . . . and A ' , B ' , C ' , . . . resemble each other to the extent that they may under certain circumstances be virtually indistinguishable . Thus I mistakenly conclude that I see ...
... painting is a perfect trompe - l'oeil , A , B , C , . . . and A ' , B ' , C ' , . . . resemble each other to the extent that they may under certain circumstances be virtually indistinguishable . Thus I mistakenly conclude that I see ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim