Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 68
Stran 114
... particular practice of using and interpreting a certain motif to symbolize specific ideas , and another is the general practice of using and interpreting motifs as symbols . Particu- lar practices may change , while the general one ...
... particular practice of using and interpreting a certain motif to symbolize specific ideas , and another is the general practice of using and interpreting motifs as symbols . Particu- lar practices may change , while the general one ...
Stran 121
... particular combination should be used as a point of departure for the investigation of the underlying conceptions in a par- ticular case clearly depends on the historical situation , or rather on known facts about that particular ...
... particular combination should be used as a point of departure for the investigation of the underlying conceptions in a par- ticular case clearly depends on the historical situation , or rather on known facts about that particular ...
Stran 193
... particular purpose ? ( b ) Can this particular purpose also be achieved by other methods ? Which ones ? ( c ) What happens if and when the particular purpose is achieved ? Is there then no use for aesthetics ? ( d ) Are aesthetic ...
... particular purpose ? ( b ) Can this particular purpose also be achieved by other methods ? Which ones ? ( c ) What happens if and when the particular purpose is achieved ? Is there then no use for aesthetics ? ( d ) Are aesthetic ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim