Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 85
Stran 16
... pictures and accidental scribblings on paper , marks on a rock made by nature , and so forth . What kinds of elements does a picture consist of ? If a picture is no more than the physical lines on the paper , how can we distinguish ...
... pictures and accidental scribblings on paper , marks on a rock made by nature , and so forth . What kinds of elements does a picture consist of ? If a picture is no more than the physical lines on the paper , how can we distinguish ...
Stran 92
... picture - apple . But then , of course , the question arises : How are picture - apples related to ordinary apples ? How do we know that a particular design is a picture - apple and not a picture - apricot ? One answer is obviously the ...
... picture - apple . But then , of course , the question arises : How are picture - apples related to ordinary apples ? How do we know that a particular design is a picture - apple and not a picture - apricot ? One answer is obviously the ...
Stran 93
... pictures are designs which can be seen as picture - apples and which are intended to be seen in that way . But this will not do . For what is a picture - apple ? If a picture - apple is an apple in a picture , and an apple in a picture is a ...
... pictures are designs which can be seen as picture - apples and which are intended to be seen in that way . But this will not do . For what is a picture - apple ? If a picture - apple is an apple in a picture , and an apple in a picture is a ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim