Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 54
Stran 7
... present shape , since I believe that the general direction of the program is sound - and since I know that a thorough revision would take many years , given the many other projects I am involved in at the present . In addition to the ...
... present shape , since I believe that the general direction of the program is sound - and since I know that a thorough revision would take many years , given the many other projects I am involved in at the present . In addition to the ...
Stran 59
... present looking a role as training towards such a per- ceptual discrimination , and ( 3 ) makes consequent demands that modify and differentiate my present experience in looking at the two pictures.16 But surely the interesting case is ...
... present looking a role as training towards such a per- ceptual discrimination , and ( 3 ) makes consequent demands that modify and differentiate my present experience in looking at the two pictures.16 But surely the interesting case is ...
Stran 104
... present such chronological sequences a number of narrative techniques have been invented . One such technique is the so - called method of simultaneous succession : in one picture the same person is represented several times , first ...
... present such chronological sequences a number of narrative techniques have been invented . One such technique is the so - called method of simultaneous succession : in one picture the same person is represented several times , first ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim