Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 53
Stran 75
... reason to suppose that this distinction is made in precisely the same way in different art forms at a particular ... reasons always relevant to artworks , ( iv ) they are always about something in Brentano's or Husserl's sense . Works of ...
... reason to suppose that this distinction is made in precisely the same way in different art forms at a particular ... reasons always relevant to artworks , ( iv ) they are always about something in Brentano's or Husserl's sense . Works of ...
Stran 259
... reason for being sceptical of thesis ( B ) , if it is taken to imply that the visual arts are dispensable in the sense that they as well as our experiences of them - can be translated to state- ments without loosing anything essential ...
... reason for being sceptical of thesis ( B ) , if it is taken to imply that the visual arts are dispensable in the sense that they as well as our experiences of them - can be translated to state- ments without loosing anything essential ...
Stran 279
... reasons depends on how the key terms of that thesis are understood . It is essential to distinguish between seeing as ... reason is simply that this thesis blurs the distinction between noticing or observing certain lines on a paper and ...
... reasons depends on how the key terms of that thesis are understood . It is essential to distinguish between seeing as ... reason is simply that this thesis blurs the distinction between noticing or observing certain lines on a paper and ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim