Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 54
Stran 27
... represented , they are as a rule represented in space , or they imply space of some kind by the mere fact that a three - dimensional object is successfully represented on a two - dimensional surface . Likewise , events and actions are ...
... represented , they are as a rule represented in space , or they imply space of some kind by the mere fact that a three - dimensional object is successfully represented on a two - dimensional surface . Likewise , events and actions are ...
Stran 30
... represented - symbolically- by broken watches , hourglasses , and so forth in still lifes . Category 3 may appear to be more tricky . Is it possible to represent temporal order without representing space or objects in space ? Perhaps ...
... represented - symbolically- by broken watches , hourglasses , and so forth in still lifes . Category 3 may appear to be more tricky . Is it possible to represent temporal order without representing space or objects in space ? Perhaps ...
Stran 112
... represented symbolically by a unicorn . One fairly obvious difference between these two paintings is that there are light conditions , observation angles , etc. , such that , given the limitations of the medium , we can imagine that a ...
... represented symbolically by a unicorn . One fairly obvious difference between these two paintings is that there are light conditions , observation angles , etc. , such that , given the limitations of the medium , we can imagine that a ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim