Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 59
Stran 36
... social , economic , religious and other ( non - artistic ) changes during the period in question . Thus Millard Meiss describes in great detail the changes in Florentine and Sienese painting around 1350 , and raises the following ...
... social , economic , religious and other ( non - artistic ) changes during the period in question . Thus Millard Meiss describes in great detail the changes in Florentine and Sienese painting around 1350 , and raises the following ...
Stran 37
... social and artistic changes can be found in the following programmatic remark , which Hauser makes in discussing the classicism of the Cinquecento : If social conditions at the end of the fifteenth century had developed differently ...
... social and artistic changes can be found in the following programmatic remark , which Hauser makes in discussing the classicism of the Cinquecento : If social conditions at the end of the fifteenth century had developed differently ...
Stran 196
... social conflicts and give a distorted picture of social reality . This is , I think , particularly evident in commercials and in advertising.24 Are we then entitled to infer - from ( a ) and ( b ) above- ( c ) that works of art and ...
... social conflicts and give a distorted picture of social reality . This is , I think , particularly evident in commercials and in advertising.24 Are we then entitled to infer - from ( a ) and ( b ) above- ( c ) that works of art and ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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Pogosti izrazi in povedi
aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim