Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
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Zadetki 1–3 od 32
Stran 33
... suppose we contemplate a painting obviously made according to the rules of central perspective . It contains a man in a boat in the foreground and a city with factories and chimneys in the background . Even in a painting like Monet's ...
... suppose we contemplate a painting obviously made according to the rules of central perspective . It contains a man in a boat in the foreground and a city with factories and chimneys in the background . Even in a painting like Monet's ...
Stran 164
... suppose it is argued that this microcosm at the same time is genetically or causally dependent on the macrocosm . Then it is , it seems to me , difficult to talk about autonomy without being misleading , considering that one of the ...
... suppose it is argued that this microcosm at the same time is genetically or causally dependent on the macrocosm . Then it is , it seems to me , difficult to talk about autonomy without being misleading , considering that one of the ...
Stran 177
... suppose that in a particular society the interest in art to a large extent is due to the fact that works of art in more or less subtle ways criticize the prevalent social and political condi- tions in society , including the existing ...
... suppose that in a particular society the interest in art to a large extent is due to the fact that works of art in more or less subtle ways criticize the prevalent social and political condi- tions in society , including the existing ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim