Aspects of AestheticsCWK Gleerup, 1983 - 280 strani |
Iz vsebine knjige
Zadetki 1–3 od 47
Stran 28
... understanding of the picture . If we understand it when we look at it from right to left we will also understand it when we look at it from left to right . But literature is a serial or digital art in the sense that there is a proper ...
... understanding of the picture . If we understand it when we look at it from right to left we will also understand it when we look at it from left to right . But literature is a serial or digital art in the sense that there is a proper ...
Stran 59
... understand it — the answer must be no . But Goodman answers in the affirmative . The reason for this is stated as follows : • although I cannot tell the pictures apart merely by looking at them now , the fact that the left - hand is the ...
... understand it — the answer must be no . But Goodman answers in the affirmative . The reason for this is stated as follows : • although I cannot tell the pictures apart merely by looking at them now , the fact that the left - hand is the ...
Stran 77
... understand , and ( possibly also ) appreciate works of art in their historical setting , or to help us to do these things . If the concepts of vision , conven- tion , and conception play an important role in these activities , as I ...
... understand , and ( possibly also ) appreciate works of art in their historical setting , or to help us to do these things . If the concepts of vision , conven- tion , and conception play an important role in these activities , as I ...
Vsebina
ARTISTIC AND AESTHETIC VALUE | 53 |
VISION CONVENTION AND CONCEPTION | 76 |
THE PROBLEM OF AUTONOMY | 144 |
Avtorske pravice | |
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aesthetic and artistic aesthetic experience aesthetic objects aesthetic theories aesthetic value aestheticians Aesthetics and Art analyze apple argued art and aesthetic Art Criticism art history artistic value assumptions Ästhetik beholders British Journal chapter cognitive colors conception of aesthetics concerning context conventions criteria cultural depicted discussed distinction distinguish drawing E. H. Gombrich example George Dickie Harold Osborne historique de l'université ideas ideology important interesting interpretations Joseph Margolis Journal of Aesthetics Kunst l'université de Lund literary London Lunds universitets Lunds universitets historiska Marxist aesthetics means Meddelanden från Lunds Mémoires du musée Monroe Beardsley Moreover musée historique normative obviously painting particular Paul Klee perception persons Peter Kivy picture political possible psychological question realism refer relations relevant representational art represented Richard Wollheim role Roman Ingarden seeing-as sense social socialist realism society Souillac suggested thesis things tions traditions trompe-l'oeil universitets historiska museum University Press Wollheim