The Spirit and Substance of Art

Aeschylus aesthetic aesthetic types aesthetician Aesthetik appears architecture Aristophanes artist Banister Fletcher beauty become body Cézanne character color comedy comic complex conscious contrast creative cubist dance decorative distortion drama effects emotional enjoy enjoyment experience expression expressionism expressionistic feeling force gained give Greek grotesque harmony human idea ideal imaginative impression impulses individual intensity interest interpretation John Brown's Body laughter light lines living mark mass material means melody method mind modern mood moral motor movement nature objects painter painting patterns phantasy picture play pleasure poem poet poetry post-expressionism problems program music psychic Psychology of Beauty pure moods purpose relation reshaping response reveals rhythm rhythmic Rodin romanticism sculpture sense shaping shows simple Sketch social space spirit Strange Interlude sublime surfaces sympathetic technique theory things thought tion tive tragedy tragic ture unconscious unity Vachel Lindsay values verism verse vision visual