The Spirit and Substance of ArtF.S. Crofts & Company, 1931 - 484 strani |
Iz vsebine knjige
Zadetki 1–3 od 58
Stran 272
... dramatic crisis provokes " a sense of conflict , active or implied ; and often a conflict of the human will . " To him drama is a con- flict as well as a series of critical situations ; it is the por- trayal of a person " consciously or ...
... dramatic crisis provokes " a sense of conflict , active or implied ; and often a conflict of the human will . " To him drama is a con- flict as well as a series of critical situations ; it is the por- trayal of a person " consciously or ...
Stran 409
... drama . Other innovations re- flect interests growing directly out of the new forms and conditions of life . Such are : an interest in machinery— a keen enjoyment of force and movement - a concern with social groups and their struggles ...
... drama . Other innovations re- flect interests growing directly out of the new forms and conditions of life . Such are : an interest in machinery— a keen enjoyment of force and movement - a concern with social groups and their struggles ...
Stran 437
... drama has passed from a motive - psychology to a projection of mental states , of psychic imponderables , and an interest in the aimless wash of the waters of subconsciousness . Here also it swings in line with the contemporary novel ...
... drama has passed from a motive - psychology to a projection of mental states , of psychic imponderables , and an interest in the aimless wash of the waters of subconsciousness . Here also it swings in line with the contemporary novel ...
Vsebina
The Field of Aesthetics | 3 |
The Methods of Aesthetics | 15 |
The Origins of | 24 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
Aeschylus aesthetic aesthetic types aesthetician Aesthetik appears architecture Aristophanes artist Banister Fletcher beauty become body Cézanne character color comedy comic complex conscious contrast creative cubist dance decorative distortion drama effects emotional enjoy enjoyment experience expression expressionism expressionistic feeling force gained give Greek grotesque harmony human idea ideal imaginative impression impulses individual intensity interest interpretation John Brown's Body laughter light lines living mark mass material means melody method mind modern mood moral motor movement nature objects painter painting patterns phantasy picture play pleasure poem poet poetry post-expressionism problems program music psychic Psychology of Beauty pure moods purpose relation reshaping response reveals rhythm rhythmic Rodin romanticism sculpture sense shaping shows simple Sketch social space spirit Strange Interlude sublime surfaces sympathetic technique theory things thought tion tive tragedy tragic ture unconscious unity Vachel Lindsay values verism verse vision visual