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1. Alcatraz Island from the bay.

2. San Francisco bay from the parapet. Lighthouse in foreground.

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spected before it reaches those within the stockades.

The uniform of Alcatraz, as these men line up, is one sufficient in itself to mark them as folks apart. It is practically a soldier's suit, dyed brown, and there is a heavy P., for prisoner, stamped on the back, that he who runs may read, and be read, by all whom he may chance to pass.

Prisoners here are of three classes. On arrival, a man is put in the second class, and if his conduct be exemplary, he is advanced to the first, and may be recommended to the Secretary of War for a reprieve or a shortening of his sentence. In the third class, on the other hand, the disorderly and vicious men are set, and to them harder tasks are assigned. While employed at these, they do not earn good conduct time, as it is called, by means of which all save life-prisoners can earn five days off of every thirty to which they have been condemned.

For breakfast at Alcatraz there is mush and coffee and bread (butterless, ob

viously), and potatoes, too, are added. At 6:30 the men line up, and by seven, work has begun. Everywhere there are guards, preventing escape where it might be contemplated, and also serving as perpetual safeguards against such possibility as mutiny.

As to the ages of the prisoners, the men one sces employed on the buildings and about the roads, will vary anywhere from twenty-one to forty-five, or even fifty.

Until noon, when there is luncheon as per regulation army rations, and then again until 4:30 in the afternoon, the prisoners are kept at their several tasks. At 5:15 supper is served, and from it they retire (under dire penalty for disobedience to such rule) to within the stockade. Many of them make their way into the cells. There are 152 of these chambers in the so-called "old prison" alone, and four companies of infantry see to it that no stranger bothers their sleep.

It is this dull routine of prison life that drives men to set their brains on edge to one point only, and that escape.

If necessity be the mother of invention, necessity is certainly abundant enough on Alcatraz to exercise the keenest human brain, if it would get away from the little peak.

To see the prisoner in his cell is to get to the kernel of the island, and to realize the boundless hope that can alone inspire any man to try to regain liberty from thence.

In company with a commissioned officer, you climb the hill to a great stockade, surrounding the prison-yard, and in itself enclosed by a sort of gallery from sentry-house to sentry-house, from which the sentinels patrol. Beyond this high white fencing several buildings seem to rise, whetting the curiosity of the visitor.

You climb onto the stockade, twelve and a half feet high, you are told, and look down on the prison yard. They are only eighty feet over the sea down there, but they might as well be eight thousand. Just below us is a ditch, twenty-eight feet across and guarded by four patrols in the

day-time and three at night. That constitutes the "dead line."

Over the moat is the main prison building, a great two-story frame, set with small windows, one window to every two men in the cells. There, however, comes the next safeguard. The sentry on the balcony just behind has charge of the gate opening into the division, and is held accountable for who passes through.

Only a commissioned officer can give the "open sesame" to enter the yard below. From the sentry-box at one side, the lever operating the gate, a speaking tube extends to the sergeant of the guard, so that the slightest suspicion of the sentinel may be verified.

If one follows the balcony along, he will look down on a second paved court and store-room, and can pass on to the dungeon entry.

Not even for the instant that it requires to take a photograph will this point be left unguarded, and the call of the sergeant of the guard to replace the lone picket while he poses in the picture, is

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taken up from guard to guard, with dramatic vigor, until, dim and echoed by the penitentiary walls, it reaches the keeper of the prison, the sergeant of the guard.

Everywhere, as one passes, the prisoners stand erect at attention, arms folded before them, while the guards present arms. Beyond, you can see the peak with a lighthouse and the officers' homes, and the American flag, symbol of liberty, but to this one acre of American soil, liberty does not apply. A sergeant, with keys at his belt, accompanies you into the prison mess halls, the heart of Alcatraz!

To right and left on the floor of stone, bare wooden tables and stools are set, a tin-can at each place. Curiously enough, at one end of the room there is a stage, and there, perhaps once a year, a play is given, the play the product of some pris

oner.

They serve you coffee here, at the heart of Alcatraz, and over the steaming cup. Captain Humphreys, the genial Officer of the Day, tells of the escape from Alcatraz.

"I have delayed the telling until here," he explains, as one's eyes drink in the air of the prison, "that you might appreciate all the more the magnitude of the undertaking, the escape from Alcatraz.

"It is now a little over five years ago that there was perpetrated on Alcatraz the most skillfully planned escape known to all army circles, probably. The plan was founded on the ruling that through the headquarters of the department, and through the garrison headquarters, a prisoner may put in an application for leniency, and be allowed to quit the island and leave, the sentence not completely served. This, of course, is only done in cases of exceptionally good conduct and the like.

"There is comparatively little for the men to do on Alcatraz, except when building is going on, and so, after a month and a half on the island a prisoner becomes a 'trusty,' and is assigned such tasks as may arise.

"Certain among these men, for instance,

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