AUSTERITY OF POETRY. THAT Son of Italy who tried to blow, Mid struggling sufferers, hurt to death, she lay! Shuddering, they drew her garments off- and found A robe of sackcloth next the smooth, white skin. A FAREWELL. My horse's feet beside the lake, Where sweet the unbroken moonbeams lay, The poplar avenue was pass'd, And the roof'd bridge that spans the stream; I came! I saw thee rise!- the blood Pour'd flushing to thy languid cheek. Lock'd in each other's arms we stood, In tears, with hearts too full to speak. Days flew;-ah, soon I could discern Thy cheek was grave, thy speech grew rare. I blame thee not!- this heart, I know, To be long loved was never framed; For something in its depths doth glow Too strange, too restless, too untamed. And women- things that live and move They ask not kindness, gentle ways; I too have felt the load I bore I too have long'd for trenchant force, Have praised the keen, unscrupulous course, But in the world I learnt, what there Go, then! till time and fate impress This truth on thee, be mine no more! They will!- for thou, I feel, not less Than I, wast destined to this lore. We school our manners, act our parts— And though we wear out life, alas! We shall not then deny a course Then, in the eternal Father's smile, Then we shall know our friends!-though much Will have been lost - the help in strife, The thousand sweet, still joys of such As hand in hand face earthly life Though these be lost, there will be yet And we, whose ways were unlike here, May then more neighboring courses ply; Saw the gifts, the powers it might inherit, Ask'd an outfit for its earthly road. Then, as now, this tremulous, eager being Strain'd and long'd and grasp'd each gift it saw; Then, as now, a Power beyond our seeing Staved us back, and gave our choice the law. Ah, whose hand that day through Heaven guided For, alas! he left us each retaining And on earth we wander, groping, reeling; We but dream we have our wish'd-for powers, PERSISTENCY OF POETRY. THOUGH the Muse be gone away, Though she move not earth to-day, Souls, erewhile who caught her word, Ah! still harp on what they heard. A CAUTION TO POETS. WHAT poets feel not, when they make, A pleasure in creating. The world, in its turn, will not take SELF-DEPENDENCE. WEAPY of myself, and sick of asking And a look of passionate desire "Ye who from my childhood up have calm'd me, Calm me, ah, compose me to the end! "Ah, once more," I cried, "ye stars, ye waters, On my heart your mighty charm renew; Buried a wave beneath, The second wave succeeds, before Too fast we live, too much are tried, Too harass'd, to attain Wordsworth's sweet calm, or Goethe's wide -In Memory of Obermann. No painter yet hath such a way, Nor no musician made, as they, The charm which Homer, Shakespeare, teach. -Epilogue to Lessing's Laocoon. A ARTHUR W. GUNDRY. RTHUR W. GUNDRY was born of English parents in the city of Montreal, Canada, on December 13, 1857. His father's duties as bank manager entailed frequent change of residence, so that the only son spent his early youth sojourning for a time in Toronto, Chicago and New York, and ultimately in 1870 in London, England, where a more permanent home was established. After studying for a while with a private tutor, a term was put in at London University College School, followed by several years at Eastbourne College, where rapid progress in all matters of general education was made. During this period Mr. Gundry's literary proclivities first manifested themselves in frequent contributions to the Eastbournian, the college organ, and for some time before leaving the college he was editor of that journal. The family returning to Canada in 1875 and taking up their abode in Halifax, Nova Scotia, Mr. Gundry attended two sessions at Dalhousie University, and at the same time kept his pen busy in the love of both prose and poetry, most of his writings finding their way into print through the local press. Going to Toronto to study law he soon became editorially connected with the Canadian Monthly, now defunct, but then in its prime. The pages of this periodical contain many signed and unsigned contributions from Mr. Gundry of a high order of merit. Other work from his pen appeared in the Toronto Nation, Montreal Spectator, and Canadian Illustrated News. Having been admitted to the bar Mr. Gundry went to Europe for a year, and on his return accepted a position in a large Wall street firm in New York, remaining there until 1884, in which year his translation of the Abbé Prévost's classic "Manon Lescaut" was published in sumptuous form and received very warm praise from the press. In 1884 a return was made to Canada, and the practice of his profession entered upon at Ottawa, the capital of the Dominion. Mr. Gundry has filled in the chinks of leisure by doing excellent poetical work for Life, Puck, Weekly Graphic, Belford's Magazine, New York Tribune, Evening Post, and other periodicals. Much as Mr. Gundry has written he can hardly be said to have yet done justice to himself. He is his own severest critic, and very hard to please. He has not attempted flights such as he is nevertheless well able to undertake. J. M. O. LOVE'S LARCENY. As Cupid, on a summer's day, In idle sport was flitting From place to place, he chanced to stray Near where my love was sitting. |