 | Samuel Johnson - 1765 - 80 strani
...great appearance of toil and ftudy, what is written at laft with little felicity ; but in his comick fcenes, he feems to produce without labour, what no...he is always ftruggling after fome occafion to be comick, but in comedy he feems to repofe, or to luxuriate, as in a mode of thinking congenial to his... | |
 | William Shakespeare - 1768 - 676 strani
...great appearance of toil and ftudy,'' what is written at laft with little felicity; but in his comick fcenes he feems to produce without labour, what no...he is always ftruggling after fome occafion to be comick, but in comedy be fc£rrjs!to,repofe, or to luxuriate, as in a mode of thinking congenial to... | |
 | William Shakespeare - 1773 - 554 strani
...great appearance of toil and ftudy, what is written at lad with little felicity j but in his comick fcenes, he feems to produce without labour, what no...he is always ftruggling after fome occafion to be comick, but in comedy he feems to repofe, or to luxuriate, as in a mode of thinking congenial to his... | |
 | Samuel Johnson - 1774 - 374 strani
...of Toil and Study, what is written at laft with little Felicity ; but in his comic Scenes he ieems to produce without Labour, what no Labour can improve. In Tragedy he is always ftruggling after fotne Occafion to be comick ; but in Comedy he feems to repofe, or to luxuriate, as in a Mode of Thinking... | |
 | William Shakespeare - 1778 - 746 strani
...great appearance of toil and ftudy, what is written at laft with little felicity ; 1 but in his comick fcenes, he feems to produce without labour, what no labour can improve. In tragedy he i> always Itruggling after fome occafion to be comick, but in comedy he feems to repofe, or to luxuriate,... | |
 | George Colman - 1787 - 338 strani
...great appearance^ of toll and Jiudy, what is written at laji with little facility ; but in his comick fcenes, he feems to produce without labour, what no...he is always ftruggling after fome occafion to be comick, but in Comedy he feems to repofe, or to luxuriate, as in a mode of thinking congenial to his... | |
 | Samuel Johnson, John Hawkins - 1787 - 500 strani
...appearance of toil and iiudy, what is written at laft with little felicity ; but, in his comick lcer.es, he feems to produce, without labour, what no labour...improve. In tragedy he is always ftruggling after fomeoccafion to be corruck ; but in comedy he feems to repofe, or to luxuriate, as in a mode of thinking... | |
 | William Shakespeare - 1788 - 346 strani
...toil and study, what is written at last with little felicity j but in his coraick scenes, he seems to. produce, without labour, what no labour can improve. In tragedy he is always struggling after some occasion to becomick; but in comedy he seems to repose, pr to luxuriate, as in... | |
 | Vicesimus Knox - 1790 - 1058 strani
...comedy. In tragedy he often writes, with great appearance of toil and Itudy, what is written at lail with little felicity ; but in his comic fcenes, he...improve. In tragedy he is always ftruggling after fome cccafion to be comic ; but in comedy he feems to repofe, or to luxuriate, as in a mode of thinking... | |
 | William Shakespeare - 1793 - 860 strani
...great appearance of toil and lludy, what is written at laft with little felicity ; but in his comick fcenes, he feems to produce without labour, what no...improve. In tragedy he is always ftruggling after fome occaflon to be comick, but in comedy he feems to repofe, or to luxuriate, as in a mode of thinking... | |
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... his disposition, as Rhymer has remarked, led him to comedy. In tragedy he often writes with great appearance of toil and study, what is written at last with little felicity ; but in his comick scenes, he seems to produce without labour, what no labour... 
