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acquaintance admirable already appeared arrived believe beside better called chance character close coming continued course cried dark door English entered expression eyes face fear feel felt followed fortune French German give habits half hand happy head heard heart honor hope horses hour hundred kind knew lady land laughing least leave less light live look matter mean mind moment morning mountain move nature never night O'Leary officer once party passed play pleasant pleasure poor present reached replied road round scarcely scene seemed seen short side soon sound speak spirit spoke step stood story strange sure tell thing thought took traveller turned voice walked week whole wish young
Stran 191 - To-day, my lord of Amiens and myself Did steal behind him, as he lay along Under an oak, whose antique root peeps out Upon the brook that brawls along this wood...
Stran 53 - I will not bore my reader with the tiresome cant of "effect," "expression," "force," "depth," and " relief," but, instead of all this, will tell him a short story about the painting, which, if it has no other merit, has at least that of authenticity. Rubens — who, among his other tastes, was a great florist — was very desirous to enlarge his garden, by adding to it a patch of ground adoining.
Stran 191 - With equal taste and judgement it is provided that the deep recesses of the forest, and the ' oak, whose antique root peeps out upon the brook that brawls along the wood,' should be the scenes whence Jaques inculcated his lessons of philosophy and morality.
Stran 242 - Why, soldiers, why Should we be melancholy, boys! Why, soldiers, why? Whose business 'tis to die?