Greek Literary CriticismJ. M. Dent & Sons Limited, 1924 - 224 strani |
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Zadetki 1–5 od 33
Stran xv
... stories in Homer as unedifying , he is only saying what Xenophanes has said long before . ( We must remember , in passing , that Homer was to the Greeks of the classical period no mere poet , but a revered , almost sacred , teacher ...
... stories in Homer as unedifying , he is only saying what Xenophanes has said long before . ( We must remember , in passing , that Homer was to the Greeks of the classical period no mere poet , but a revered , almost sacred , teacher ...
Stran xxxi
... story . Dio's treatment of the theme is not very illuminating , or profound , though the piece is pleasantly enough written . It seems curious that other Greek critics should not have attempted this com- parative method , when one ...
... story . Dio's treatment of the theme is not very illuminating , or profound , though the piece is pleasantly enough written . It seems curious that other Greek critics should not have attempted this com- parative method , when one ...
Stran xli
... great Athenian Dramatists treated the Story of Philoctetes . Oration 52 X. LUCIAN How to become a Perfect Orator . The Orator's Manual 15-21 Index · 212 218 223 GREEK LITERARY CRITICISM I. ARISTOPHANES A Contest for the Throne CONTENTS xli.
... great Athenian Dramatists treated the Story of Philoctetes . Oration 52 X. LUCIAN How to become a Perfect Orator . The Orator's Manual 15-21 Index · 212 218 223 GREEK LITERARY CRITICISM I. ARISTOPHANES A Contest for the Throne CONTENTS xli.
Stran 15
... story I told of - Phaedra , say ? Wasn't it history ? Aeschylus . It was true , right enough ; but the poet should hold such a truth enveloped in mystery , And not represent it or make it a play . It's his duty to teach , and you know ...
... story I told of - Phaedra , say ? Wasn't it history ? Aeschylus . It was true , right enough ; but the poet should hold such a truth enveloped in mystery , And not represent it or make it a play . It's his duty to teach , and you know ...
Stran 34
... story is generally discredited by modern scholars . P. 5. Crutch - and - cripple playwright . A reference to the famous Telephus , produced in 438 , in which the hero appeared as a lame beggar . Cretan dancing - solos . Euripides wrote ...
... story is generally discredited by modern scholars . P. 5. Crutch - and - cripple playwright . A reference to the famous Telephus , produced in 438 , in which the hero appeared as a lame beggar . Cretan dancing - solos . Euripides wrote ...
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66 Certainly A. D. LINDSAY action Aeacus Aeschylus Aristophanes Aristotle audience beautiful better called character charm Chorus comedy composition dance Demosthenes diction Dinarchus Dionysus element emotion epic Euripides evil excellence expression figures Flattothrat frigid give Gods Gorgias Greek critics Greek literary criticism harmony hearers Hesiod Homer Hyperides imitation inspiration Isocrates judge kind language literature Longinus Lysias manner means melody metaphor metre mind Muses musical mode narration nature never noble Odysseus orators passage passion period Periphrasis person personages Phaedr Philoctetes Plato play pleasure Plot Pluto poems Poetics poetry poets possess praise prologues prose R. C. JEBB reason rhetoric RHYS ROBERTS rhythm Socrates song Sophocles sort soul speak speaker speech story style sublime tell things thought Thucydides tion tragedy tragic treatise true truth umbrella utterance verse whole words writing Xanthias
Priljubljeni odlomki
Stran 125 - From what we have said it will be seen that the poet's function is to describe, not the thing that has happened, but a kind of thing that might happen, ie what is possible as being probable or necessary.
Stran 120 - A tragedy, then, is the imitation of an action that is serious and also, as having magnitude, complete in itself; in language with pleasurable accessories, each kind brought in separately in the parts of the work; in a dramatic, not in a narrative form; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions.
Stran 124 - The Unity of a Plot does not consist, as some suppose, in its having one man as its subject. An infinity of things befall that one man, some of which it is impossible to reduce to unity; and in like manner there are many actions of one man which cannot be made to form one action. One sees, therefore, the mistake of all the poets who have written a Heracleid, a Theseid, or similar poems; they suppose that, because Heracles was one man, the story also of Heracles must be one story. Homer, however,...
Stran 117 - Given both the same means and the same kind of object for imitation, one may either (1) speak at one moment in narrative and at another in an assumed character, as Homer does; or (2) one may remain the same throughout, without any such change; or (3) the imitators may represent the whole story dramatically, as though they were actually doing the things described.
Stran 126 - Of simple Plots and actions the episodic are the worst. I call a Plot episodic when there is neither probability nor necessity in the sequence of its episodes. Actions of this sort bad poets construct through their own fault, and good ones on account of the players. His work being for public performance, a good poet often stretches out a Plot beyond its capabilities, and is thus obliged to twist the sequence of incident.
Stran 129 - The tragic fear and pity may be aroused by the Spectacle; but they may also be aroused by the very structure and incidents of the play — which is the better way and shows the better poet.
Stran 124 - Just in the same way, then, as a beautiful whole made up of parts, or a beautiful living creature, must be of some size, a size to be taken in by the eye, so a story or Plot must be of some length, but of a length to be taken in by the memory.
Stran 122 - We maintain, therefore, that the first essential, the life and soul, so to speak, of Tragedy is the Plot...
Stran 118 - ... the reason of the delight in seeing the picture is that one is at the same time learning and reasoning fsullogidzesthai] what each thing is, eg that this is that...
Stran 118 - Imitation is natural to man from childhood, one of his advantages over the lower animals being this, that he is the most imitative creature in the world, and learns at first by imitation.