A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 strani |
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Zadetki 1–3 od 10
Stran 284
... to suppress an essential factor of the artistic appeal . -The Esthetic Basis of Greek Art of the Fifth and Fourth Centuries B.C. ( 1921 ) CHAPTER VIII THEORIES OF EMPATHY 1. THEODOR LIPPS : EMPATHY 284 THEORIES OF FORM.
... to suppress an essential factor of the artistic appeal . -The Esthetic Basis of Greek Art of the Fifth and Fourth Centuries B.C. ( 1921 ) CHAPTER VIII THEORIES OF EMPATHY 1. THEODOR LIPPS : EMPATHY 284 THEORIES OF FORM.
Stran 287
... THEODOR LIPPS ( 1851-1914 ) . He maintains that the for- mal elements acquire meaning for the imagination only be- cause we project our activities and feelings into them . Thus form as an esthetic value is not an objective fact . It is ...
... THEODOR LIPPS ( 1851-1914 ) . He maintains that the for- mal elements acquire meaning for the imagination only be- cause we project our activities and feelings into them . Thus form as an esthetic value is not an objective fact . It is ...
Stran 290
... Lipps to speak of the ego as at one with the object . Empathy , according to his view , is based partly upon a feeling of " self - value . " The unity and ... THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - 290 THEORIES OF EMPATHY.
... Lipps to speak of the ego as at one with the object . Empathy , according to his view , is based partly upon a feeling of " self - value . " The unity and ... THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - 290 THEORIES OF EMPATHY.
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words