The Prelude to Poetry: The English Poets in the Defence and Praise of Their Own Art, Količina 10Ernest Rhys J.M. Dent & Company, 1897 - 217 strani |
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Stran vii
... defence . In this defence and praise of their art , thus for the first time brought together , there are some items that are , so to speak , inevitable , and that carry their justification on the face of them vii Introduction.
... defence . In this defence and praise of their art , thus for the first time brought together , there are some items that are , so to speak , inevitable , and that carry their justification on the face of them vii Introduction.
Stran viii
... carry their justification on the face of them . The Apologie of Sidney , the Defence of Shelley , the passages from Milton , Wordsworth's preface to his Lyrical Ballads , and Coleridge's complementary chap- ter : these , it is clear ...
... carry their justification on the face of them . The Apologie of Sidney , the Defence of Shelley , the passages from Milton , Wordsworth's preface to his Lyrical Ballads , and Coleridge's complementary chap- ter : these , it is clear ...
Stran 16
... carried into the admiration thereof , that they thought in the chaunceable hitting uppon any such verses great fore - tokens of their following fortunes were placed . Whereupon grew the worde of Sortes 16 The Prelude to Poetry .
... carried into the admiration thereof , that they thought in the chaunceable hitting uppon any such verses great fore - tokens of their following fortunes were placed . Whereupon grew the worde of Sortes 16 The Prelude to Poetry .
Stran 31
... carry not an ap- parent shyning and contrarily , the remorse of conscience in Oedipus , the soone repenting pride of Agamemnon , the selfe - devouring crueltie in his Father Atreus , the violence of ambition in the two Theban brothers ...
... carry not an ap- parent shyning and contrarily , the remorse of conscience in Oedipus , the soone repenting pride of Agamemnon , the selfe - devouring crueltie in his Father Atreus , the violence of ambition in the two Theban brothers ...
Stran 40
... carrying olde Anchises on his back , that wisheth not it were his fortune to per- fourme so excellent an acte ? Whom doe not the words of Turnus moove ? ( the tale of Turnus , having planted his image in the imagination , ) -Fugientem ...
... carrying olde Anchises on his back , that wisheth not it were his fortune to per- fourme so excellent an acte ? Whom doe not the words of Turnus moove ? ( the tale of Turnus , having planted his image in the imagination , ) -Fugientem ...
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The Prelude to Poetry; The English Poets in the Defence and Praise of Their ... Ernest Rhys Predogled ni na voljo - 2015 |
Pogosti izrazi in povedi
abuse action admiration Aeneas ancient Aristotle beauty beleeve Ben Jonson called cause Cicero composition conceive CUDDIE Dante defence delight divine dooth doth dramatic effect Ennius Euripides evil excellent excite expression eyther faculty farre fayned feelings Greekes harmony hath highest Historian Homer human imagination imitation indeede kind knowledge language learning less Lucretius lyric poetry Lyrical Ballads maketh matter metre metrical Milton mind mooved moral Muses naturall nature never object Orlando Furioso passage passions perfect Petrarch Philosopher Plato pleasure Plutarch poems Poesie Poet poetic diction Poetic Principle poeticall prayse produced prose Reader reason ryme sayd sayth Science selfe sense shew sith song soul speak spirit stanza Statius teach teacheth Theocritus theyr things thou thought tion Tragedies true truely truth verse vertue Virgil words Wordsworth worthy write Xenophon
Priljubljeni odlomki
Stran 155 - ... to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand.
Stran 150 - Religion ! what treasure untold Resides in that heavenly word ! More precious than silver and gold, Or all that this earth can afford : But the sound of the church-going bell These valleys and rocks never heard, Never sighed at the sound of a knell, Or smiled when a Sabbath appeared.
Stran 175 - ... and rhythmical, and contain in themselves the elements of verse; being the echo of the eternal music. Nor are those supreme poets, who have employed traditional forms of rhythm on account of the form and action of their subjects, less capable of perceiving and teaching the truth of things, than those who have omitted that form. Shakespeare, Dante, and Milton (to confine ourselves to modern writers) are philosophers of the very loftiest power.
Stran 39 - ... cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the well-enchanting skill of music; and with a tale, forsooth, he cometh unto you, with a tale which holdeth children from play and old men from the chimney corner...
Stran 129 - ... and things violently destroyed ; the Poet binds together by passion and knowledge the vast empire of human society, as it is spread over the whole earth, and over all time. The objects of the Poet's thoughts are everywhere...
Stran 199 - His very words are instinct with spirit; each is as a spark, a burning atom of inextinguishable thought; and many yet lie covered in the ashes of their birth, and pregnant with a lightning which has yet found no conductor.
Stran 121 - Poetry " (though against my own judgment) as opposed to the word Prose, and synonymous with metrical composition. But much confusion has been introduced into criticism by this contradistinction of Poetry and Prose, instead of the more philosophical one of Poetry and Matter of Fact, or Science.
Stran 108 - And thou, sweet Poetry, thou loveliest maid, Still first to fly where sensual joys invade; Unfit, in these degenerate times of shame, To catch the heart or strike for honest fame...
Stran 122 - ... if the Poet's subject be judiciously chosen, it will naturally, and upon fit occasion, lead him to passions the language of which, if selected truly and judiciously, must necessarily be dignified and variegated, and alive with 275 metaphors and figures.
Stran 173 - The practice is indeed convenient and popular, and to be preferred especially in such composition as includes much action : but every great poet must inevitably innovate upon the example of his predecessors in the exact structure of his peculiar versification. The distinction between poets and prose writers is a vulgar error.