Art and Its Significance: An Anthology of Aesthetic Theory, Third EditionStephen David Ross State University of New York Press, 27. jan. 1994 - 706 strani This anthology has been significantly expanded for this edition to include a wider range of contemporary issues. The most important addition is a new section on multicultural theory, including important and controversial selections ranging from discussions of art in other cultures to discussions of the appropriation of nonWestern art in Western cultures. The material from Kant's Critique of Judgment has been expanded to include his writing on aesthetical ideas and the sublime. The selections from Derrida have been updated and considerably expanded for this edition, primarily from The Truth in Painting. One of Derrida's most interesting provocations has also been added, his letter to Peter Eisenman on architecture. In addition, the section on feminist theory now includes a chapter from Irigaray's Speculum of the Other Woman. The anthology includes the most important writings on the theory of art in the Western tradition, including selections from Plato, Aristotle, Hume, Kant, Hegel, and Nietzsche; the most important philosophical writings of the last hundred years on the theory of art, including selections from Collingwood, Langer, Goodman, Heidegger, and Merleau-Ponty; contemporary Continental writings on art and interpretation, including selections from Gadamer, Ricoeur, Derrida, Lyotard, and Foucault; also writings on the psychology of art by Freud and Jung, from the Frankfurt School by Benjamin, Adorno, and Marcuse, in feminist theory, multiculturalism, and postmodernism. The anthology also includes twentieth-century writings by artists including discussions of futurism, suprematism, and conceptual art. Stephen David Ross is Professor of Philosophy and Comparative Literature, State University of New York at Binghamton. |
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Zadetki 1–5 od 42
Stran 10
... Homer and Hesiod , and the rest of the poets , who have ever been the great story - tellers of mankind . But which stories do you mean , he said ; and what fault do you find with them ? A fault which is most serious , I said ; the fault ...
... Homer and Hesiod , and the rest of the poets , who have ever been the great story - tellers of mankind . But which stories do you mean , he said ; and what fault do you find with them ? A fault which is most serious , I said ; the fault ...
Stran 11
... Homer- these tales must not be admitted into our State , whether they are supposed to have an allegorical meaning or not . For a young person cannot judge what is allegorical and what is literal ; anything that he receives into his mind ...
... Homer- these tales must not be admitted into our State , whether they are supposed to have an allegorical meaning or not . For a young person cannot judge what is allegorical and what is literal ; anything that he receives into his mind ...
Stran 12
... Homer or to any other poet who is guilty of the folly of saying that two casks Lie at the threshold of Zeus , full of lots , one of good , the other of evil lots , and that he to whom Zeus gives a mixture of the two Sometimes meets with ...
... Homer or to any other poet who is guilty of the folly of saying that two casks Lie at the threshold of Zeus , full of lots , one of good , the other of evil lots , and that he to whom Zeus gives a mixture of the two Sometimes meets with ...
Stran 16
... Homer , we do not admire the lying dream which Zeus sends to Agamemnon ; neither will we praise the verses of Aeschylus in which Thetis says that Apollo at her nuptials Was celebrating in song her fair progeny whose days were to be long ...
... Homer , we do not admire the lying dream which Zeus sends to Agamemnon ; neither will we praise the verses of Aeschylus in which Thetis says that Apollo at her nuptials Was celebrating in song her fair progeny whose days were to be long ...
Stran 17
... Homer and the other poets not to be angry if we strike out these and similar passages , not because they are unpoetical , or unattractive to the popular ear , but because the greater the poetical charm of them , the less are they meet ...
... Homer and the other poets not to be angry if we strike out these and similar passages , not because they are unpoetical , or unattractive to the popular ear , but because the greater the poetical charm of them , the less are they meet ...
Vsebina
1 | |
5 | |
7 | |
65 | |
66 | |
Nicomachean Ethics | 75 |
David Hume | 77 |
Immanuel Kant | 93 |
Arthur Danto | 469 |
Mikhail Mikhailovich Bakhtin | 483 |
Freud Jung Vygotsky | 499 |
Sigmund Freud | 500 |
Carl Gustav Jung | 507 |
Lev Vygotsky | 521 |
Marxism and the Frankfurt School | 525 |
Walter Benjamin | 526 |
G W F Hegel | 143 |
Friedrich Nietzsche | 161 |
Leo Tolstoy | 177 |
II Recent Systematic Theories | 183 |
Clive Bell | 185 |
RG Collingwood | 191 |
John Dewey | 203 |
Susanne Langer | 221 |
Nelson Goodman | 237 |
Martin Heidegger | 253 |
Maurice MerleauPonty | 281 |
Stephen David Ross | 299 |
III Interpretation and Criticism | 323 |
Stephen Pepper | 325 |
E D Hirsch Jr | 331 |
HansGeorg Gadamer | 349 |
Paul Ricoeur | 383 |
Jacques Derrida | 399 |
Michael Foucault | 439 |
IV Discussions | 455 |
Edward Bullough | 457 |
Theodor W Adorno | 539 |
Herbert Marcuse | 548 |
Postmodernism | 559 |
JeanFrancois Lyotard | 561 |
Feminist Theory | 565 |
Heide GottnerAbendroth | 566 |
Luce Irigaray | 578 |
Craig Owens | 591 |
Multicultural Theory | 599 |
V Y Mudimbe | 600 |
Trinh T Minhha | 607 |
James Clifford | 621 |
Tony Fry and AnneMarie Willis | 643 |
Artists Declarations | 655 |
F T Marinetti | 656 |
Umberto Boccioni | 661 |
Kasimir Malevich | 667 |
Wassily Kandinsky | 673 |
Piet Mondrian | 677 |
Sol LeWitt | 691 |
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Art and Its Significance: An Anthology of Aesthetic Theory, First Edition Stephen David Ross Omejen predogled - 1984 |
Art and Its Significance: An Anthology of Aesthetic Theory, First Edition Stephen David Ross Omejen predogled - 1984 |
Pogosti izrazi in povedi
Aboriginal art abstract abstract art Adeimantus artistic beautiful become called character cognitive color concept consciousness contrast created criticism Critique of Judgment culture determined Dionysian discourse emotion ethnocide existence experience expression fact faculty feeling figurative art function hermeneutics heteroglossia Homer human idea imagination imitation individual inexhaustibility interpretation judging judgment of taste Kant kind language lexemes material matriarchal art matter meaning ment merely mind mode nature Nelson Goodman never nonfigurative object painter painting particular person philosophy picture plastic Plato poem poet poetry polysemy possible postmodernism present principle problem production pure question R. G. Collingwood reality reason relation representation represented rience sculpture semantic sense sensuous shoes social Socrates space speak spirit structure sublime Suprematism Suprematist symbol theory things tion tradition true truth uncon understanding universal visible W. D. Ross whole word writing