Art and Its Significance: An Anthology of Aesthetic Theory, Third EditionStephen David Ross State University of New York Press, 27. jan. 1994 - 706 strani This anthology has been significantly expanded for this edition to include a wider range of contemporary issues. The most important addition is a new section on multicultural theory, including important and controversial selections ranging from discussions of art in other cultures to discussions of the appropriation of nonWestern art in Western cultures. The material from Kant's Critique of Judgment has been expanded to include his writing on aesthetical ideas and the sublime. The selections from Derrida have been updated and considerably expanded for this edition, primarily from The Truth in Painting. One of Derrida's most interesting provocations has also been added, his letter to Peter Eisenman on architecture. In addition, the section on feminist theory now includes a chapter from Irigaray's Speculum of the Other Woman. The anthology includes the most important writings on the theory of art in the Western tradition, including selections from Plato, Aristotle, Hume, Kant, Hegel, and Nietzsche; the most important philosophical writings of the last hundred years on the theory of art, including selections from Collingwood, Langer, Goodman, Heidegger, and Merleau-Ponty; contemporary Continental writings on art and interpretation, including selections from Gadamer, Ricoeur, Derrida, Lyotard, and Foucault; also writings on the psychology of art by Freud and Jung, from the Frankfurt School by Benjamin, Adorno, and Marcuse, in feminist theory, multiculturalism, and postmodernism. The anthology also includes twentieth-century writings by artists including discussions of futurism, suprematism, and conceptual art. Stephen David Ross is Professor of Philosophy and Comparative Literature, State University of New York at Binghamton. |
Iz vsebine knjige
Zadetki 1–5 od 75
Stran vi
... Meaning as Hermeneutic Problem and as Semantic Problem ( complete ) 384 Jacques Derrida The Truth in Painting 399 ( Passe - partout , Parergon , Restitutions ) Letter to Peter Eisenman ( complete ) Michel Foucault 401 429 439 The Order ...
... Meaning as Hermeneutic Problem and as Semantic Problem ( complete ) 384 Jacques Derrida The Truth in Painting 399 ( Passe - partout , Parergon , Restitutions ) Letter to Peter Eisenman ( complete ) Michel Foucault 401 429 439 The Order ...
Stran 10
... meaning , he said . You know , I said , that we begin by telling children stories which , though not wholly destitute of truth , are in the main fictitious ; and these stories are told them when they are not of an age to learn ...
... meaning , he said . You know , I said , that we begin by telling children stories which , though not wholly destitute of truth , are in the main fictitious ; and these stories are told them when they are not of an age to learn ...
Stran 24
... meaning . You know the first lines of the Iliad , in which the poet says that Chryses prayed Agamemnon to release his [ 393 ] daughter , and that Agamem- non flew into a passion with him ; whereupon Chryses , failing of his object ...
... meaning . You know the first lines of the Iliad , in which the poet says that Chryses prayed Agamemnon to release his [ 393 ] daughter , and that Agamem- non flew into a passion with him ; whereupon Chryses , failing of his object ...
Stran 45
... meaning of the poet . For the rhapsode ought to interpret the mind of the poet to his hearers , but how can he interpret him well unless he knows what he means ? All this is greatly to be envied . Ion . Very true , Socrates ...
... meaning of the poet . For the rhapsode ought to interpret the mind of the poet to his hearers , but how can he interpret him well unless he knows what he means ? All this is greatly to be envied . Ion . Very true , Socrates ...
Stran 51
... meaning in saying that the arts were different , -if they both gave the same knowledge . For example , I know that here are five fingers , and you know the same . And if I were to ask whether I and you became acquainted with this fact ...
... meaning in saying that the arts were different , -if they both gave the same knowledge . For example , I know that here are five fingers , and you know the same . And if I were to ask whether I and you became acquainted with this fact ...
Vsebina
1 | |
5 | |
7 | |
65 | |
66 | |
Nicomachean Ethics | 75 |
David Hume | 77 |
Immanuel Kant | 93 |
Arthur Danto | 469 |
Mikhail Mikhailovich Bakhtin | 483 |
Freud Jung Vygotsky | 499 |
Sigmund Freud | 500 |
Carl Gustav Jung | 507 |
Lev Vygotsky | 521 |
Marxism and the Frankfurt School | 525 |
Walter Benjamin | 526 |
G W F Hegel | 143 |
Friedrich Nietzsche | 161 |
Leo Tolstoy | 177 |
II Recent Systematic Theories | 183 |
Clive Bell | 185 |
RG Collingwood | 191 |
John Dewey | 203 |
Susanne Langer | 221 |
Nelson Goodman | 237 |
Martin Heidegger | 253 |
Maurice MerleauPonty | 281 |
Stephen David Ross | 299 |
III Interpretation and Criticism | 323 |
Stephen Pepper | 325 |
E D Hirsch Jr | 331 |
HansGeorg Gadamer | 349 |
Paul Ricoeur | 383 |
Jacques Derrida | 399 |
Michael Foucault | 439 |
IV Discussions | 455 |
Edward Bullough | 457 |
Theodor W Adorno | 539 |
Herbert Marcuse | 548 |
Postmodernism | 559 |
JeanFrancois Lyotard | 561 |
Feminist Theory | 565 |
Heide GottnerAbendroth | 566 |
Luce Irigaray | 578 |
Craig Owens | 591 |
Multicultural Theory | 599 |
V Y Mudimbe | 600 |
Trinh T Minhha | 607 |
James Clifford | 621 |
Tony Fry and AnneMarie Willis | 643 |
Artists Declarations | 655 |
F T Marinetti | 656 |
Umberto Boccioni | 661 |
Kasimir Malevich | 667 |
Wassily Kandinsky | 673 |
Piet Mondrian | 677 |
Sol LeWitt | 691 |
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Art and Its Significance: An Anthology of Aesthetic Theory, First Edition Stephen David Ross Omejen predogled - 1984 |
Art and Its Significance: An Anthology of Aesthetic Theory, First Edition Stephen David Ross Omejen predogled - 1984 |
Pogosti izrazi in povedi
Aboriginal art abstract abstract art Adeimantus artistic beautiful become called character cognitive color concept consciousness contrast created criticism Critique of Judgment culture determined Dionysian discourse emotion ethnocide existence experience expression fact faculty feeling figurative art function hermeneutics heteroglossia Homer human idea imagination imitation individual inexhaustibility interpretation judging judgment of taste Kant kind language lexemes material matriarchal art matter meaning ment merely mind mode nature Nelson Goodman never nonfigurative object painter painting particular person philosophy picture plastic Plato poem poet poetry polysemy possible postmodernism present principle problem production pure question R. G. Collingwood reality reason relation representation represented rience sculpture semantic sense sensuous shoes social Socrates space speak spirit structure sublime Suprematism Suprematist symbol theory things tion tradition true truth uncon understanding universal visible W. D. Ross whole word writing