Philosophy of the Arts

accept activity aesthetic analysis appreciation art object artistic assertions associations attitude basic becomes believe Bell and Fry better certain chap character characteristics color communication completely conception concerned Consider constituents contains contemplation contemporary course creation criticism death depth desire discussion distinction doctrine Ducasse elements embody emotions especially essentially evaluation example existence expressive fact false feelings Finally formalism function human experience iconic ideas imaginative important indulgence integration interpret kind language least limited literature materials meaning medium motion nature novel offer ordinary organic original painting Parker Philosophy picture plastic play poem poetry present principle problem Prufrock psychological pure qualities question reading refer regard rejected relation representation represents Richards satisfaction satisfy sense significant sort sounds specific spectator symbol theme theory thing tion true truth claims understanding values whole