Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Stran
... philosophy of science in their insistence upon discarding any aesthetic nugget that sparkles a little too dazzlingly ... philosophy . As a reaction to previous bad philosophizing , it is salutary ; but as an ultimate criterion , it is ...
... philosophy of science in their insistence upon discarding any aesthetic nugget that sparkles a little too dazzlingly ... philosophy . As a reaction to previous bad philosophizing , it is salutary ; but as an ultimate criterion , it is ...
Stran
... Philosophy in the main is still the quest for real defini- tions ; it is still concerned , as it was for Plato ... Philosophy and the Abuse of Language , " The Journal of Philosophy , XLIV , No. 20 ( September 25 , 1947 ) , for a ...
... Philosophy in the main is still the quest for real defini- tions ; it is still concerned , as it was for Plato ... Philosophy and the Abuse of Language , " The Journal of Philosophy , XLIV , No. 20 ( September 25 , 1947 ) , for a ...
Stran 225
... Philosophy . New York : Philosophical Library , 1943 . and H. G. Schrickel , eds . , Encyclopedia of the Arts . New York : Philosophical Library , 1946 . Russell , Bertrand , Introduction to Mathematical Philosophy . Lon- don : George ...
... Philosophy . New York : Philosophical Library , 1943 . and H. G. Schrickel , eds . , Encyclopedia of the Arts . New York : Philosophical Library , 1946 . Russell , Bertrand , Introduction to Mathematical Philosophy . Lon- don : George ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole