Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 22
Stran 135
... Richards who has offered the details of the emotive theory . According to him ( and C. K. Ogden ) , at least in The Meaning of Meaning , which constitutes the prolegomenon to Richards ' later work , language has many functions . It ...
... Richards who has offered the details of the emotive theory . According to him ( and C. K. Ogden ) , at least in The Meaning of Meaning , which constitutes the prolegomenon to Richards ' later work , language has many functions . It ...
Stran 160
... Richards . Throughout his writings , Richards recognizes that it is possible to interpret poetry as embodying truth claims , but he warns against it because he thinks that such an interpretation leads to the nonaesthetic scientific ...
... Richards . Throughout his writings , Richards recognizes that it is possible to interpret poetry as embodying truth claims , but he warns against it because he thinks that such an interpretation leads to the nonaesthetic scientific ...
Stran 161
... Richards suggests that poetry ought not to make truth claims because our appreciation will be perverted from an aesthetic to a nonaesthetic one . But if this is his fear , we can assuage it by offering a counterrecommen- dation that ...
... Richards suggests that poetry ought not to make truth claims because our appreciation will be perverted from an aesthetic to a nonaesthetic one . But if this is his fear , we can assuage it by offering a counterrecommen- dation that ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole