Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 83
Stran 2
... aesthetic theory ; .we can also recognize that many of the terms that refer to prevalent aesthetic views , like voluntarism , intellectualism , emotionalism , formalism , or hedonism , are treacherous and to be employed with extreme ...
... aesthetic theory ; .we can also recognize that many of the terms that refer to prevalent aesthetic views , like voluntarism , intellectualism , emotionalism , formalism , or hedonism , are treacherous and to be employed with extreme ...
Stran 10
... aesthetic experience in rela- tion to man's total experiences . The experience of art , because it involves the presence of significant form , gives man the assurance of at least one " absolute good " ; and this is sufficient to make of ...
... aesthetic experience in rela- tion to man's total experiences . The experience of art , because it involves the presence of significant form , gives man the assurance of at least one " absolute good " ; and this is sufficient to make of ...
Stran 227
... Aesthetic contemplation , see Con- templation " Aesthetic emotion " and Bell , 2-7 , 188-189 and Fry , 18-19 , 188–189 Richards on , 19 Aesthetic emotionalism , see Emo- tionalism Aesthetic experience functions of , 9-10 , 202-204 ...
... Aesthetic contemplation , see Con- templation " Aesthetic emotion " and Bell , 2-7 , 188-189 and Fry , 18-19 , 188–189 Richards on , 19 Aesthetic emotionalism , see Emo- tionalism Aesthetic experience functions of , 9-10 , 202-204 ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole