Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 62
Stran 175
... appreciation of complex works of art , that is , works in which tremendous ranges of emotions are presented , it would be psy- chologically impossible to indulge in them , even if such a pro- cedure were worthwhile . We have said before ...
... appreciation of complex works of art , that is , works in which tremendous ranges of emotions are presented , it would be psy- chologically impossible to indulge in them , even if such a pro- cedure were worthwhile . We have said before ...
Stran 178
... appreciation is indulgence in the presented emotions , or purgation of emotions , or even the projection of emotions ( empathy ) into an inanimate object which thereby becomes a work of art.20 Some supporting evidence can be found for ...
... appreciation is indulgence in the presented emotions , or purgation of emotions , or even the projection of emotions ( empathy ) into an inanimate object which thereby becomes a work of art.20 Some supporting evidence can be found for ...
Stran 229
... appreciation , 158-160 on metaphor , 106 and organic in poetry , 55 and " poetic belief , " 158-160 on poetry , 158 Browning , E. B. , 146 Brueghel , Pieter " Christ Carrying the Cross , " 16-17 " Peasant Wedding Dance , " 4 , 54 , 57 ...
... appreciation , 158-160 on metaphor , 106 and organic in poetry , 55 and " poetic belief , " 158-160 on poetry , 158 Browning , E. B. , 146 Brueghel , Pieter " Christ Carrying the Cross , " 16-17 " Peasant Wedding Dance , " 4 , 54 , 57 ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole