Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 92
Stran 42
... certain elements in certain relations ; that is , lines and colors in combinations that excite us . Form does not include certain other elements in re- lation , namely , the so - called representational ones . These Bell calls the ...
... certain elements in certain relations ; that is , lines and colors in combinations that excite us . Form does not include certain other elements in re- lation , namely , the so - called representational ones . These Bell calls the ...
Stran 50
... certain lin- guistic elements , like line and color , and certain plastic and spiritual representations , all in spatial , temporal , and causal ( telic relations to each other . Parker does not , like Ducasse , for example , accept the ...
... certain lin- guistic elements , like line and color , and certain plastic and spiritual representations , all in spatial , temporal , and causal ( telic relations to each other . Parker does not , like Ducasse , for example , accept the ...
Stran 162
... certain things about the world . It can tell us about the facts . It can give us knowledge . But litera- ture can also say certain things about the world , mainly the human world . It , too , can offer us information but , as Plato ...
... certain things about the world . It can tell us about the facts . It can give us knowledge . But litera- ture can also say certain things about the world , mainly the human world . It , too , can offer us information but , as Plato ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole