Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 38
Stran 53
... concerned with the picture as a work of art.22 So far as the quality of the surface area is concerned , that this makes a difference to all the plastic and subject elements of the painting has been recognized by artists for centuries ...
... concerned with the picture as a work of art.22 So far as the quality of the surface area is concerned , that this makes a difference to all the plastic and subject elements of the painting has been recognized by artists for centuries ...
Stran 56
... concerned with placing the picture in its historical period of origin , the painting becomes a mechanical system , in that he isolates certain chemical constituents of the colors on the canvas without any concern for their relations to ...
... concerned with placing the picture in its historical period of origin , the painting becomes a mechanical system , in that he isolates certain chemical constituents of the colors on the canvas without any concern for their relations to ...
Stran 94
... concerned with the poem as a biographical datum relating to the poet's life . The aesthetic analysis will be carried through without any attempt to derive from it any evidence regarding Eliot's attitudes during the period in which he ...
... concerned with the poem as a biographical datum relating to the poet's life . The aesthetic analysis will be carried through without any attempt to derive from it any evidence regarding Eliot's attitudes during the period in which he ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole