Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Stran
... and the problem of " poetic belief " 154 Voluntarism : Freud's theory 165 Voluntarism : Parker's theory 169 Emotionalism : Tolstoy's theory 172 Contemplation : Ducasse's theory Contemplation : Bullough's theory Contemplation :
... and the problem of " poetic belief " 154 Voluntarism : Freud's theory 165 Voluntarism : Parker's theory 169 Emotionalism : Tolstoy's theory 172 Contemplation : Ducasse's theory Contemplation : Bullough's theory Contemplation :
Stran
Morris Weitz. Contemplation : Ducasse's theory Contemplation : Bullough's theory Contemplation : defense of the theory of Bell and Fry The problem of criticism Defense of the doctrine of art for art's sake NOTES BIBLIOGRAPHY INDEX 177 ...
Morris Weitz. Contemplation : Ducasse's theory Contemplation : Bullough's theory Contemplation : defense of the theory of Bell and Fry The problem of criticism Defense of the doctrine of art for art's sake NOTES BIBLIOGRAPHY INDEX 177 ...
Stran 190
... contemplative theory often mistake the emotional excitation that they get from just such a contemplation with what they take to be indulgence in or purgation of portrayed emotions . This , of course , means that the contemplative ...
... contemplative theory often mistake the emotional excitation that they get from just such a contemplation with what they take to be indulgence in or purgation of portrayed emotions . This , of course , means that the contemplative ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole